Aug. 22nd, 2009

kingrockwell: cool times; a man in a black shirt places a blue fedora on his head while throwing a jacket over his shoulder. (Default)
[personal profile] kingrockwell

O'Neil: Vic the Seeker (pt 3)
Tot's Reckoning

There comes a time in every title's life where the supporting characters must take center-stage and play the largest role in a story-arc's major plot while the star runs around around looking silly and ineffectual.
[identity profile] jlroberson.insanejournal.com
This week--or rather, last week--at Mister Kitty's Stupid Comics, we see one of Hitler's many dastardly plans to destroy America. But unlike Nekron in Blackest Night, he goes for something much simpler and cost-effective than reviving superheroes: reviving the homeless.
Remember that hobo you shot last week? Here he is, back again!

Ah, the old days, when a cop could shoot an unarmed bum dead just for shouting. But as you see, Officer Friendly has a nasty surprise.
More here.
[identity profile] ap0cryphal.insanejournal.com
2 Pages via CBR previews for MA Spider-Man #54, in which Gwen Stacy runs into Peter, Peter runs into Capt. Stacy, and Capt. Stacy runs into hoodlums in a park.

[identity profile] starwolf_oakley.insanejournal.com
James Robinson is usually admired for his work on STARMAN. I appreciated his attempt to improve Rob Liefeld's CAPTAIN AMERICA series. But JUSTICE LEAGUE: CRY FOR JUSTICE has resulted in him falling out of favor. Here's one of his 90s works, with art by Adam Hughes.

Robinson's X-MEN/WILDC.A.T.S after the cut. )
[identity profile] dr_hermes.insanejournal.com


Posts like these may not be for everyone, but if you're interested in art technique and storytelling, Roy Crane was a master. He wrote and drew an amazing strip blending screwball comedy and high adventure, WASH TUBBS (later titled CAPTAIN EASY). Like Milton Caniff, he gave his famous strip to an assistant and went to create a new strip, which he would own himself (these newspaper artists were no fools and almost always made much more money than comic book artists). This was BUZ SAWYER. This sample is from 1949. Accompanied by his wife Christy and a local oil company representative, Buz is in Central America trying to forestall a revolution by swiping a load of guns and ammo.

Crane got astonishing results without color. Just black ink on white paper, for the most part. He used Benday and Craftint doubletone paper to get shades of gray, letting him show depth, foreground and background. His style is just cartoony enough to allow the exaggeration needed for newspaper reproduction, realistic enough to be convincing.

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