mad: Jason Todd says a lot of things (Jason Todd)
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I had a very negative reaction to the preview for Birds of Prey #3, and wrote about it on my Tumblr, but am re-posting it here, with images added for illustrative purposes.

In total this post contains about one page's worth of art/panels from the BoP #3 previews, maybe a bit over. (Most of them are from the preview on the DC Comics website, but one is from the preview on IGN.) Also, I've included the cover art to Gotham City Sirens #9.

Fair warning: this post contexts a lot of text.



The Penguin is injured and hallucinated that the Birds are...well, doing this:





This book is breaking my heart. I’m so tired of Ed Benes’ art. I’m tired of Huntress’s stupid belly window costume. I’m tired of the Birds sporting wedgies and their asses being constantly tilted toward the camera, and I’m tired of all the Birds’ faces looking the same. (That the Gail Simone’s writing here has the characters stripping/seducing, even in a villain’s hallucination, is also alienating and tiresome.)



It’s not something that’s limited to Benes, of course, but some comic book artists have the profoundly irritating habit of making most women’s faces look the same, while giving a huge amount of character to men’s faces. Check out the Penguin, and then look at all the women’s faces. It’s a similar thing with Guillem March in Gotham City Sirens. Dudes like the Riddler and Penguin get personality and individuality in their faces, but the women’s faces are kept as bland as possible.

It sucks that while we have TWO books featuring female team-ups in Gotham, both are mired in cheesecake that, in my opinion, gets in the way of the storytelling. It pulls me out of the story and kills my enjoyment. It especially sucks as a reader, because both books are written by people whose work I usually like, and characters I’m interested in following.



I realize that cheesecake and difficulty drawing women’s faces is by no means limited to these particular comics. I haven’t been reading GCS, and it’s been a while since I’ve even bothered to look at a preview of it, so for all I know, the art’s changed over time. But what I did see when the series launched was enough to put me off the book. (Also, the constant high heels on Catwoman, Poison Ivy and Harley Quinn.)

I’m just tired of wanting to read books about female characters I like, and having to put up with excessive cheesecake. I don’t even MIND cheesecake or beefcake when it’s done well and doesn’t overpower the story. In the right context, I can enjoy it. But when it’s constant and mindless cheesecake in superhero stories, it grates on my nerves.

And it’s not just because it’s tiresome to constantly see your heroes and favourite characters sexually objectified for readers who are not me (just in case I needed reminding that mainstream comics don’t really care whether or not they have me for an audience), but because I see parallels to how women are objectified elsewhere.

I’m not even really talking about porn or other things aimed at straight men, where you do see those kinds of spine-injuring postures and objectification. I’m talking about how every magazine and advertisement aimed at WOMEN do similar things: soft lighting, make-up and airbrushing, eliminating any visual hint of “flaws” and personality. The Penguin's face could only belong to one person, and that is Oswald "Penguin" Cobblepot. Oracle, Huntress, Canary, and Dove, on the other hand? Put the same hair colour/style and mask on all of them and they all look exactly the same. The Penguin gets loads of detail and individuality on his face. But attempt to give a woman that same level of detail in a drawing, and people will probably view it as ugly.



Culturally, we give men permission to get wrinkles, grow stubble, and leave their grey hair un-dyed. We allow and enjoy visual representation of individuality and personality in men, we allow them the chance to prove their worth outside of their looks. We can love and enjoy, say, Jonah Hex, as a protagonist and hero, and we can love and enjoy Two-Face as a villain. But a woman? She must be beautiful, and if she’s not, chances are that her entire motivation and personality are wrapped up in the fact that she’s not conventionally attractive.

I can’t remember where I read it, but someone once said that women don’t wear make-up to look pretty, they wear make-up to feel human.

Perhaps that’s an oversimplification and is not a universal explanation for every woman who puts on make-up, or for every comic artist who simplifies women’s faces to the point where they all look the same, or for every magazine that photoshops away every wrinkle and smidgen of fat off of women’s bodies. It’s hard to articulate, but there’s always an implicit rule that women who don’t fit into the conventionally attractive mold will be rejected, individually and by society. That threat of rejection, of being dismissed, seen as sub-human, unworthy of any consideration or respect, it’s in male gaze, it’s in superhero comics, it’s in advertising, it’s in consumerism, it’s in products/magazines/advertising/other content aimed at women, it’s in the news and politics, it’s in strangers’ eyes, and it’s in the mirror. Every day. Often it’s subtle and easily ignored or goes entirely unnoticed, often it’s not and it doesn’t.

There’s a reason why I’d rather pick up Birds of Prey than Cosmo or whatever. It’s because I expect a superhero book to pull me in and make me forget about that crap, to make me feel at least a little bit empowered. It’s a superhero fantasy, and it should be fun, exciting and inspiring, not aggravating and tiring.

I realize that this is a very personal reaction to certain styles of art, that some find it difficult to draw women’s faces, and that there are other forces at work besides an artist’s particular style. Not everyone may think along these lines or feel this way, but when I read this preview of BoP, all I felt was tired. It’s not just a problem of one artist I don’t like on one book I should like, but just another facet of a much larger problem that manifests so frequently in comics, and practically everywhere one looks. When I say I’m tired of mindless cheesecake in superhero comics, it’s not just because it’s a problem in comics, but because I see it as a part of a continuum of a larger problem.

I’m tired of it.

Try to imagine what this scene would look like if the male character were swapped for a female one, and the female characters for male ones. If it were Batman and Superman sexily posing and stripping for a daydreaming, fully-clothed (non-spandexed, non-sexualized) Catwoman being creepy, DC would likely never publish it because it’d probably be seen as too demeaning to their favourite superhero guys.

You’d never see a beefcake equivalent to Gotham City Sirens, where every cover has, say, Dick Grayson, Roy Harper, and Wally West sexily and seductively posing together, with their skintight costumes highlighting their nipples, crotches and butts all at the same time. Despite how (b)romantic Superman/Batman can get, you’ll never see the same kind of sexual objectification of them in that book.

And if you believe that men are equally objectified and idealized as women are in superhero comics, you should compare and contrast. (Men are idealized as being “strong”, women are idealized as being “sexy”. Not the same thing, not equal.)

I have no idea what Gail Simone was aiming for when writing the scene we see in the BoP #3 preview, but it doesn’t appeal to me. In a recent interview, she talked about Ed Benes’ art:

That said, he is of the Brazilian tradition, so his art is always hugely sexy and sexually charged. It can be a bit much for some, but I never sense the, you know, the hate that some artists bring to their sexy drawings. Again, it’s like the Suicide Girls, and I’ve used them as an example before. What they do is so free of the kind of self- and other-loathing that infuses so much porn and cheesecake. It’s more about a sense of joy and freedom, and the effect is different.


I guess Your Mileage May Vary. I don’t see “joy and freedom” in it, but rather the same old trappings.

Date: 2010-07-17 06:36 am (UTC)
ext_446046: (Default)
From: [identity profile] chekeichan.livejournal.com
What's going on with Zinda's chest in the 3rd panel presented? It makes no sense, man!

BoP is invalidating my theory on drawing and writing in comics, which is that the latter is far more important than the former. Benes's art is detracting so much from Simone's writing that this comic is unreadable. At least, unreadable without sympathetic wincing and looking away from the page in embarrassment.

Date: 2010-07-17 06:42 am (UTC)
demonprawn: (Default)
From: [personal profile] demonprawn
"What's going on with Zinda's chest in the 3rd panel presented? It makes no sense, man!"

It's her right breasts side-boob. Her torso is in profile. I has to look twice as I thought it was front on and see was missing a mammary. Her, coat? jacket?, opens down the side.

...Hey, I may agree with the post, and am sick of too much cheesecake in serious action books, but I'm still a straight guy, so, boobs! :)

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