I bring you... bad X-Men comics!
Jan. 23rd, 2011 10:17 pmBack on Livejournal when I joined SD 1.0, my first post was a certain comic. See, in 2007 or so, my sister went to London for a week and when she came back, she surprised me by giving me two comics she bought there. She knew I was into comics and that I loved the X-Men, so both of them were X-titles. The problem was that she isn't a comic reader and had absolutely no idea what a good comic looks like, so her choices were... interesting, shall we say.
First up is X-Force volume 2, issue 2, drawn and inked by Liefeld and written by Fabian Nicieza with... er, "input" from Rob. Cover plus 6 pages from 22. The images are a bit on the large side, just for warning.
This is from the 2004 limited series, which ran for 6 issues. The writing is so positively Liefeldian that I can't believe that Nicieza had any input on it other than embarrassed groans now and then. The (utterly incomprehensible) plotting is just an excuse for the characters to flex their muscles and the dialogue is painfully 90's. The enemy is something called the Skornn (wow, how long did Liefeld have to think to come up with that one?) which is some kind of demonic anti-mutant living weapon. Not that it matters any, since it won't get mentioned even once during this issue. Neither will anything else relating to the supposed overarching plot of the series. Let me reiterate, this was a 6-issue miniseries and they wasted the second issue with filler plot.
First up is the cover. It depicts Shatterstar holding a sword in a way that makes sure he can't cut anything with it. It also depicts some kind of bespectacled blow-up doll reflected in the sword. As covers go, Liefeld's had worse, but it's a portent of things to come.

The first pages open with some narration introducing Sam Guthrie, "the mutant bio-propellant known as-- --CANNONBALL!" No, I didn't know Sam was considered "alternative fuel" either. There's some bathos, some faux-gritty narration and a bit of artfail. I posted page 3 because the picture of Sam in the lower left looks actually human. With feet and everything and muscles that might be believable from a bodybuilder. Also, because mmmFASH! is the best sound effect.

Page 4 has the appearance of Jon Spectre, who's some kind of future bad dude. He's still relatively sane for Liefeld, he only has one belt full of pouches and a bunch of katanas and what appears to be piping strapped to his back. Also, more failed poignant narration.

Sam sees Spectre and for no reason decides that he must be an enemy. What follows is the lamest fight ever, as Sam just flies around wrecking things while Jon Spectre stays phased out, both spouting insipid banter. Sam's brain finally catches up with him and he realizes that he heard Jon exclaim "Stab his eyes!" before he decided to rush in like a moron, which means that he must be FROM THE FUTURE! If that's what the future will sound like, I hope to die before then.
They introduce themselves and Jon warns Cannonball of something to do with Cable and on that note, we cut away to the man himself.

And here it is. One half of the entire reason I wanted to post this comic. That has to be one of the most fucked-up images I've ever seen. Contrary to Liefeld's usual practice, there's absolutely no muscle definition anywhere but on Cable's face, making his arms look like giant salamis. The bright, plastic-y lighting doesn't help either. Cable's salami-arms are as wide as his thighs, which are almost as wide as his torso and seem not to be connected to it on the outside. The positioning of his gauntlets indicates that his hands are broken and so are several of his fingers. He also has a ginormous bulge.

Cable in the past/future (past for Jon, future for Sam, since apparently Jon's supposed to be telling this story) fights some guys who have at least 5-6 people's worth of teeth in their mouths and the most horrible rictus grin ever, who turn out to be robots, as a demonstration of his prowess to a giant amphiteatre, empty except for three Royal Guardsmen who give him their permission to do... something. Nobody actually mentions what Cable is trying to accomplish here and Jon's story cuts short after that point. but first have the second part of my reason for posting this, the most glorious 2-page spread ever.

That guy has POUCH PAULDRONS. Not pauldrons covered in pouches, but pauldrons that ARE pouches. Two giant pouches on his shoulders. What use could they possibly have? He can't even reach inside them. Also, at this point it's glaringly obvious that apart from beard-dude there, every single male character in this comic has the same hair style, with the length of the hair being the only difference.
The "narrative" at this point somehow turns out to have been told by Cable all along, who's in some kind of vaguely-defined hideout with the only background being a bunch of giant monitors showing panels from the start of the issue. There's Domino and Shatterstar and some other random guys who all look the same and Cable tells them that Jon Spectre is bad news. The issue ends here.
The second comic my sister bought me was Essential X-Men 120, reprinting issues #11-13 of X-Treme X-Men. I will post that tomorrow.
Since multiple posters reported Imageshack trying to force spyware on them, I changed the host of the pictures to Photobucket, which means that they are now not under thumbnails. So people with slow connections, beware. Here are some text links for you.
Cover: http://i737.photobucket.com/albums/x
Page 3: http://i737.photobucket.com/albums/x
Page 4: http://i737.photobucket.com/albums/x
Page 9: http://i737.photobucket.com/albums/x
Page 10: http://i737.photobucket.com/albums/x
Pages 17-18: http://i737.photobucket.com/albums/x

no subject
Date: 2011-01-23 09:43 pm (UTC)no subject
Date: 2011-01-23 10:19 pm (UTC)no subject
Date: 2011-01-23 10:29 pm (UTC)no subject
Date: 2011-01-23 10:39 pm (UTC)no subject
Date: 2011-01-24 12:47 am (UTC)Seriously, that guy has the ropiest grasp of anatomy I've seen in an artist, ever. Including Picasso.
no subject
Date: 2011-01-24 01:03 am (UTC)no subject
Date: 2011-01-24 12:05 am (UTC)no subject
Date: 2011-01-23 10:34 pm (UTC)no subject
Date: 2011-01-24 06:42 am (UTC)no subject
Date: 2011-01-24 11:02 am (UTC)no subject
Date: 2011-01-24 11:21 am (UTC)no subject
Date: 2011-01-23 10:50 pm (UTC)no subject
Date: 2011-01-27 01:16 am (UTC)no subject
Date: 2011-01-23 11:22 pm (UTC)no subject
Date: 2011-01-24 12:14 am (UTC)no subject
Date: 2011-01-24 12:45 am (UTC)Liefeld's characters: Gayer than you might think.
no subject
Date: 2011-01-24 12:51 am (UTC)I hate those.
no subject
Date: 2011-01-24 01:00 am (UTC)no subject
Date: 2011-01-24 01:37 am (UTC)no subject
Date: 2011-01-24 02:19 am (UTC)no subject
Date: 2011-01-24 10:22 am (UTC)no subject
Date: 2011-01-24 12:54 am (UTC)no subject
Date: 2011-01-24 01:51 am (UTC)no subject
Date: 2011-01-24 03:57 am (UTC)no subject
Date: 2011-01-24 02:20 am (UTC)no subject
Date: 2011-01-27 01:27 am (UTC)no subject
Date: 2011-01-27 03:24 am (UTC)I am actually too flexible (it's a joint problem) and once I accidentally bent back too far and scrunched/bruised my back muscles/nerves between my butt and my back. Hurt for days. I felt even stupider when I realized I'd given myself Comic Book Chick injuries, especially as I am so not in the Power Girl bra size category.
no subject
Date: 2011-01-27 05:15 am (UTC)Okay, now that sounds seriously painful. I am... slightly more than averagely flexible, but only slightly. That is, I cannot go into Comic Book Chick poses (at least not the really painful-looking ones, or the lesser ones by accident), but people occasionally wince when I am in a position that I find comfortable. I occasionally use myself as a reference if an amateur artist online thinks they messed up a pose, to see whether or not I can say "well, it's physically possible without technically being double-jointed or accidentally injuring oneself, but I doubt it would be comfortable for most people". I don't think I have ever accidentally injured myself due to flexibility... *winces in sympathy*
no subject
Date: 2011-01-24 04:43 am (UTC)The thing I find most curious about Liefeld's art is the cheeks. Why does he have to draw everybody with those same, sunken cheeks? Combined with the way he makes them open their mouths it's freaky.
no subject
Date: 2011-01-24 06:45 am (UTC)no subject
Date: 2011-01-24 08:43 am (UTC)no subject
Date: 2011-01-24 09:59 am (UTC)no subject
Date: 2011-01-27 01:41 am (UTC)no subject
Date: 2011-01-24 10:54 am (UTC)I like the colourist though, I wonder what they did to deserve that.
no subject
Date: 2011-01-24 11:22 am (UTC)no subject
Date: 2011-01-24 11:29 am (UTC)no subject
Date: 2011-01-24 11:55 am (UTC)no subject
Date: 2011-01-24 11:09 am (UTC)no subject
Date: 2011-01-24 09:14 pm (UTC)Check out TV tropes, if you have a million years to spare.
no subject
Date: 2011-01-24 09:37 pm (UTC)no subject
Date: 2011-01-25 09:11 am (UTC)no subject
Date: 2011-01-25 06:50 pm (UTC)no subject
Date: 2011-01-24 01:05 pm (UTC)Pretty much everything I've seen him write have been stuff that I haven't wanted to read, such as Cable, X-Force and so on. I'm not saying he's a bad writer, just that I haven't really read anything by him that marked him as worthy of high praise. What's he done that's really worth noting?
no subject
Date: 2011-01-24 06:58 pm (UTC)no subject
Date: 2011-01-25 09:19 am (UTC)no subject
Date: 2011-01-25 09:57 am (UTC)no subject
Date: 2011-01-27 01:42 am (UTC)