Dracula - In the Company of Monsters #10
Jun. 7th, 2011 01:35 pmSince issue #6, the main character in the story has been trying to survive the lethal posturing of a resurrected Dracula and the corporate raider uncle of his that has also become a vampire lord (and members of the corporation and family into his minions. As the end game approaches, the key to solving Dracula's power source (the bargain that turned mortal into undead) the key to defeating all of the undead that are after our mage.
We now find out WHAT that infernal bargain was.
Not a big or overwhelming reveal, but taken into context it does raise the stakes just a little for this universe. Enough to keep me interested.
We now find out WHAT that infernal bargain was.
Not a big or overwhelming reveal, but taken into context it does raise the stakes just a little for this universe. Enough to keep me interested.

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Date: 2011-06-07 09:54 pm (UTC)no subject
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Date: 2011-06-08 03:41 am (UTC)Also fairly interesting. Def something new to me.
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Date: 2011-06-08 06:33 pm (UTC)no subject
Date: 2011-06-10 08:02 pm (UTC)no subject
Date: 2011-06-08 06:34 pm (UTC)*eyeroll*
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Date: 2011-06-09 01:50 am (UTC)no subject
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Date: 2011-06-11 12:52 am (UTC)no subject
Date: 2011-06-11 06:07 am (UTC)But seriously, how is it any less worthy of being used as storytelling fodder than any other rich mythology?
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Date: 2011-06-11 11:03 pm (UTC)Honestly, it isn't, and if the bible were treated the same as any other mythology it might make my fuckin' life, believe you me. I really can't say why this scene rubs me such the wrong way. Maybe it's the "good ole King James" comment. I dunno, just something about this is so...smarmy to me.
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Date: 2011-06-12 02:47 am (UTC)And Paradise Lost was certainly problematic (oh, Milton) but I'm not sure dumb's the word I'd use, even though I didn't particularly enjoy it, for a number of reasons, starting with ewwww, skeevy woman-issues.