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[personal profile] cyberghostface


In some ways the 'Doctor Octopus' arc could be viewed as an example of Bendis's 'decompressed' storytelling given that it ran for seven issues, Spidey and Ock don't even meet until four issues in and the story is a bit cluttered with subplots involving Justin Hammer and Kraven. Still, I enjoyed it quite a bit.

Scans under the cut... )

[personal profile] history79



"He’s meaner, he’s nastier, and he’s more personally conflicted—he’s suffering from more existential dread [than the SUPREME POWER version]. [This version] makes that guy look like a tame little pussycat."

"There [are] references to other characters in the Marvel Universe so that we know that they exist; for really long term geeky fans of Marvel, there’s going to be a character that pops up—I don’t want to give that away because it’s a major supporting [cast member] that no one is going to be expecting to see."

- David Walker


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[personal profile] superboyprime


"If anyone wants to check out comics, wants to check out DC Universe Rebirth #1 and doesn’t like it, they can mail it to Warner Bros., to me, and I will send them a check, I literally will, for both postage and for the book. I will buy all these books back because I believe in this issue a lot. I think it’ll do very well. I hope it does well. But I seriously will, I’ll buy back this book." - Geoff Johns

"We're exploring a very big theme in that book. That theme is the power of optimism and the power of hope and how no matter what you do it will shine through if you try and help it shine through." - Geoff Johns

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[personal profile] history79



"Pulp characters are irresistible for a lot of us, and I think part of the reason is the romance inherent to their origins. They sprang from mass-market entertainment, but their creators were often (not always, of course, but enough of the time for it to matter) reaching for something more lasting and meaningful. The result is fast-paced, action-filled stories with transcendent flashes of cultural commentary, interesting ideas, and ambiguous heroics that highlight the nature of the human condition. As a writer of comics and genre fiction I love this about them, and have found a lot of inspiration in their pages."

- Corinna Bechko


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thanekos: Lawyer doing a phone call. (Default)
[personal profile] thanekos
That's the case for both the Richard Stark novel and the Darwyn Cooke adaptation.

The snow's an absence of color; things like the opening, the criminal Parker's armored car heist, stand out against it.

There's him and his bombing the car, getting the cash, and getting out.

And then there's the getaway driver turning a right so hard he turns them over.

Up and over. )
lordultimus: (Default)
[personal profile] lordultimus
Can you name all the characters?


WARNING: MASSIVE PICTURE BEHIND CUT.
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informationgeek: (lyra)
[personal profile] informationgeek
avengersvsxmen02cover

"When we do big events like this, we usually employ one writer and one artist. However, this story is so huge – it cuts across the entire Marvel Universe – we thought it would benefit from additional brainpower. So, we tapped five of our most popular writers (Brian Bendis, Jason Aaron, Matt Fraction, Jonathan Hickman and Ed Brubaker) and three of our most popular artists (John Romita Jr., Olivier Coipel and Adam Kubert) to do this story." - Axel Alonso

Storytellers: Jason Aaron, Brian Michael Bendis, Ed Brubaker, Jonthan Hickman, and Matt Fraction
Writer: Jason Aaron
Artist: John Romita Jr.
Inker: Scott Hanna
Colorist: Laura Martin


*sigh*

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