zapbiffpow: (Default)
[personal profile] zapbiffpow2014-08-23 11:50 am

I Have a Question About this Picture: A Minor Analysis

So there's this particular piece of comic book art that's been bugging me this week - I'm surprised it hasn't been brought up earlier.

How did this get past the editors? )
arbre_rieur: (Default)

Supreme: Blue Rose #1



"I think that last Superman movie felt this, a bit, but couldn’t quite get to it — a Lois Lane story is always more interesting than a Superman story, because mystery, investigation and revelation are more powerful than binary conflict." -- Warren Ellis

Read more... )
alicemacher: Lisa Winklemeyer from the webcomic Penny and Aggie, c2004-2011 G. Lagacé, T Campbell (Default)

Maus: A Survivor's Tale





There's pretty much nothing I can say, to summarize this work's artistic and commercial impact on sequential art, that others haven't said before, so on to the scans, all from Maus II: And Here My Troubles Began (Pantheon, 1991). Total of nine pages out of 130: two from Chapter 1, one from Chapter 2, six (out of 24 pages) from Chapter 3.

Trigger warning for scenes of Holocaust atrocities and for racist speech.

Read more... )
skemono: I read dead racists (Default)
[personal profile] skemono2014-08-20 11:44 pm

Ms. Marvel #6



When last we left our New Jerseyite heroine, she found that she was being targeted by The Inventor.

Let's see how she's doing )

Writer: G. Willow Wilson
Artist: Jake Wyatt
Cover artist: Jamie McKelvie
skemono: I read dead racists (Default)
[personal profile] skemono2014-08-20 10:20 pm

Storm #1



Q. Why do you like Storm?

I love her moral center and certainty — she knows injustice when she sees it and can turn on that righteous rage when dealing with it, and that provides a ton of visceral fun to indulge in as a reader and a writer. At the same time, we're doing our best to toss her complicated problems wherein the moral center can be very hard to find. It's always great to put your hero into the kinds of trouble that can exploit his or her greatest strengths, so it's been a blast writing her as she fights to find her way under those circumstances.

...

Q. There aren't a lot of black female superheroes, in fact given that Vixen is long missing from DC Storm is it. Do you feel a sense of responsibility to get her right? How does that impact your writing?

You bet. I feel a huge amount of responsibility with this book. But I don't know that I'd phrase it as a feeling that I have to "get her right." All of these classic characters can be written many different ways — that flexibility is one of the reasons the iconic superhero characters have survived and thrived for decades. I don't believe there's any one objectively "right" way to handle any character — they're strong and amazing enough to be explored from multiple angles and in multiple ways.

That being said, at this moment in time, I do think there's a great opportunity to explore Storm not just as a mutant, but specifically a woman and a woman of color. So I'm thinking a lot about what everyday life has been for her throughout her life and how it affects her world-view, and I'm working hard to explore that in very big and very subtle ways.

--Greg Pak

I was sadly underwhelmed by this issue. A comic that examines how being "a woman and a woman of color" affects her world-view and makes her different from other superheroes is something I would be all about, but I don't think it turns out well.

But hey, make up your own minds )

Writer: Greg Pak
Artist: Victor Ibáñez
icon_uk: (Default)
[personal profile] icon_uk2014-08-19 07:37 pm

Half of me thinks this is sacrilege...

But the other half thinks it's gorgeous!

We've seen some odd sequels over the past few years, perhaps most notably someone else writing "Peanuts" comics, but even that pales next to the chutzpah it takes to relaunch the classic, groundbreaking, 114 year old. "Little Nemo in Slumberland"



But darn me if this isn't a lovely looking take on it )

20 is the best one I've seen

If you've bought an Image book in the last two years, the odds are that you've seen an ad for Revival; usually one looking like this. The covers are all (with one exception) drawn by Jenny Frison. I posted the "beginners' guide" a while back, in case you are unfamiliar with the series.

It is a genuinely unsettling book, not just in terms of gore (there's lashings of it in this post, so, you've been warned), in body horror (which is closely tied in to gore. I felt my stomach turn when we got to the girl on the cover of #13) and the unpleasantness of people (Like a lot of horror, it raises the question of "Who is the real sick man, in this so called society?" -there was one bit at the end of the third trade that was horrible because it was likely).

It was also nominated in the 2013 Harvey for Best Artist(Mike Norton), Best Writer (Tim Seeley), Best Cover Artist (Jenny Frison) and Best New Series, but didn't win any of them.

20 covers from Revival )