Yeah I’m really conscious of that, we do have these overarching plots we have to serve, but Cameron and I are conscious of new readers coming in at any point, and making this series and the other two series I’m writing, Gotham Academy and Black Canary, not feel bogged down by the long histories of the characterizes, by all these decades worth of stories that came before. I never want to discount any of that or make it seem like those points of continuity never took place. But I just think each issue needs to feel like a fresh place for a new reader to start, that they can come in and get something out of it.
- Brenden Fletcher
"I would argue that the people that enjoy this don't know the real Barbara Gordon at all. They like this because they don't know any better. She has been around since 1967. That is 49 years. This current run is a blip of her total history. Stewart's run accounts for about 2% of her accumulated existence. When I evaluate her, I evaluate her against herself. His run is absolutely not a fair representation of the character by any means.
Maybe this is a Batgirl that certain people can relate to, but is it really the kind of Batgirl we want them looking up to and emulating.
A lot of these characters are more real to me than people I know in reality. Batgirl is like my sister for crying out loud. And right now, Stewart is telling lies about her. You think I'm just going to stand by and watch somebody badmouth my sister. I protect my own. Since Batgirl is a fictional character, she can't defend herself. She needs people like you and me to defend her. If you really had her back, like your name implies, you wouldn't be defending this.
"- Brandon Mulholand, reviewer for Batman-News
Writer: Cameron Stewart& Brenden Fletcher
Artist: Babs Tarr for #46 and Eleonora Carlini & Moritat for #47
Colorist: Serge Lapointe( Read More... )