espanolbot: (Default)
[personal profile] espanolbot
The audience's attitudes towards certain subjects change as time progresses, so what might seem harmless or even amusing to a past audience comes across as offensive or even creepy by one of today! So, I thought that I'd gather up a few for your perusal.*

*Note: This isn't meant to make light of what they're doing or who they're doing it to, but rather pointing out how unpleasant and strange it is that SUPERHEROES are the ones doing it.
Read more )
ozaline: (Default)
[personal profile] ozaline
My ten year old self enjoyed the Wild C.A.T.s cartoon, it wasn't as good as X-men, but it was a fun time waster with an interesting scifi premise: Two alien races have been engaged in a shadow war for millennia, one defending mankind the other trying to dominate it. The villainous aliens have the ability to posses human hosts, the other team must recruit their allies from a pool of human/alien hybrids who have inherited special gifts.

The equivalent to X-men's Jubilee, the naive teen who serves as an audience surrogate was called Voodoo and she had the power to see, and exorcise the evil Daemonites.

What I didn't know when I was 10 was that in the comic books she was a stripper. The way this aspect of the character is handled in the original Image comics is worlds apart from how her DC Universe counterpart was treated.

Read more... )
alicemacher: Lisa Winklemeyer from the webcomic Penny and Aggie, c2004-2011 G. Lagacé, T Campbell (Default)
[personal profile] alicemacher


Apartment renting. If you're lucky, you get to rent from a reasonable owner and share a building with people and animals who are halfway civilized. If you're not so lucky...you might just be New Yorkers Jane and Stephen from Alex Robinson's graphic novel Box Office Poison (Antarctic Press, 1996-2000; collected ed. Top Shelf, 2002). One page from Issue 4 (Mar 1997); eight pages from Issue 8 (Feb 1998).

Trigger warning for misogynistic slurs.

My house, anh? My house! )
alicemacher: Lisa Winklemeyer from the webcomic Penny and Aggie, c2004-2011 G. Lagacé, T Campbell (Default)
[personal profile] alicemacher



From the cover of Wimmen's Comix #4 (1974; art by Shelby Sampson)


By 1970, the underground comix field had come into its own as a creators' alternative to Comics Code restrictions on language, art and subject matter. This freer, "anything goes" environment was a positive development for comic books overall (otherwise I wouldn't be making all these posts about it). But it also had a darker side: an increased emphasis on content that was brutally degrading to women, and the exclusion of women creators from the most popular comix titles.


Feminist cartoonists to the rescue! (Trigger warning for sexism/misogyny) )
ozaline: (Default)
[personal profile] ozaline
(A total of 17 pages are used, 4 from issue 1, 3 from issue 2, 6 from issue 3, and 4 from issue 4. For about 1/5th the total pages)




So a while back I found out about the comic Deathwish, part of the Milestone imprint for DC comics headed up by the late Dwayne McDuffie... the point of the imprint was to give a voice to people to tell their own experiences, particularly minority writers. As such it birthed many great PoC characters created by writers of the same background; it also gave birth to one of the only transgender Lesbian characters I know of Marissa Rahm.

The comic was created by Maddie Blaustein (credited here under her assigned name Adam Blaustein), an intersex woman who transitioned socially from male to female and championed Transgender rights. She is more well known for her voice work then her comics (I only found out about her comics from one that made a review on Atop the Fourth Wall which is how I managed to look up Deathwish), where she voiced many male and female characters notably Meowth for a good chunk of the Pokemon dub before her death. Blaustein`s writing is accompanied by early art of the amazing JH Williams III.

The story of Deathwish focuses on on Marissa a police officer who is investigating a series of serial killings of Trans women and drag queens in the city of Dakota, where the victims are made to pose in "artistic poses". Over the course of her investigation she transitioned socially, and fell in love with the only known survivor of one of the killer's, Boots', attacks. Also involved is Deathwish a vigilante who is basically Punisher: SVU, it is now four years later and things are quickly reaching their climax.

I`ve only included the pages that deal with Marissa and Dini`s relationship specifically but there`s huge spoilers involved for the story. As a note if you want to track this one down be aware that it is quite graphic and may be triggery.

Trigger warning for misogynistic slurs, Holocaust references, and cis-sexism (on the part of characters not on the part of the writer) )

Profile

scans_daily: (Default)
Scans Daily
Founded by girl geeks and members of the slash fandom, [community profile] scans_daily strives to provide an atmosphere which is LGBTQ-friendly, anti-racist, anti-ableist, woman-friendly and otherwise discrimination and harassment free.

Bottom line: If slash, feminism or anti-oppressive practice makes you react negatively, [community profile] scans_daily is probably not for you.

Please read the community ethos and rules before posting or commenting.

April 2015

S M T W T F S
    1 2 3 4
5 6 7 8 9 10 11
12 13 14 15 16 17 18
19 202122232425
2627282930  

Most Popular Tags

Syndicate

RSS Atom

Style Credit

Expand Cut Tags

No cut tags