[identity profile] sherkahn.insanejournal.com
New previews from Wonder Woman: Rise of the Olympian - part 8

I will skip my usual complaints and just Wonder about this image.

From IGN.



*edit* sorry it took me so long to fix the LJ cut
[identity profile] bluefall.insanejournal.com
The Wonder Woman mythos, plagued as it has been by "take over, change everything"-itis, has a fair number of supporting cast members who no one has ever heard of. These are the little guys who get a name and a relationship to Diana like they're supposed to be important, but have maybe five minutes of panel time in a run or, perhaps, if they're lucky, a whole storyarc, and then are never heard from again. Many of them, admittedly, were ignored by subsequent writers for a reason; the Sphinx and Quinn and Officer Modini and Bobby Trevor aren't exactly compelling pillars of characterization and interest, and don't have much to recommend themselves for further use.

Some of those lost characters are really damn cool, though, and deserve to be unearthed, brushed off and given a second look and another spin through the canon. One such buried gem is the amazon Nu'bia.





Scans are from Wonder Woman v1 #204-206, Supergirl v1 #9, and Super Friends #25. I cannot believe Super Friends ran longer than Supergirl. There is no justice in the world.
[identity profile] bluefall.insanejournal.com
Back in the summer of 2001, DC kicked off one of their many epic, universe-spanning Crossover Events with an issue of SUPERMAN in which Pluto goes missing. Yes, Pluto, the planet astral body. This Crossover Event was "Our Worlds at War," and it was not particularly well-received by fandom. Which makes sense; the plot was needlessly byzantine and, as ever, there was a lot of c-list fodder happening, particularly with women, surprise surprise. I find it fairly mediocre standard crossover fare myself, but '01 was quite a while before ICk and Shamazons, so I don't know if that's just a calibration issue and maybe it was pretty bad for the time.

But I will say this for it: despite being, ostensibly, Superman's crossover (his badguys, mostly his book, his long-term plot threads), the impact on and contribution from Diana and her corner of the DCU was significant, which is something you don't usually see - major impact on Diana's obviously not unheard of, but contribution in proportion to that impact is much rarer and worthy of note and approbation - and it had one of the greater Wondy moments on record, which is what we'll be looking at today.









Next time: The League is imperialist and Diana pretty much singlehandedly justifies every statement Clark or Bruce have ever made about hating magic.
[identity profile] ebailey140.insanejournal.com
We've talked a lot about the classic Perez run, it's beautiful storytelling, the dense plotting, the complexity, the rich characterization, and the many subjects it covered; including gender issues, war and peace, addiction, Battered Person Syndrome, sexual orientation, and teen suicide. All of these issues were handled with great care and sensitivity.

It's sometimes been said that Wonder Woman is actually more of an alien to our world than Superman. Clark was from another planet, and Diana is from Earth, but Clark was raised in modern America, in it's culture and with it's values. Diana was raised in a 3000 year old Pagan culture isolated from the rest of the world. And, well, 3000 year old Pagan cultures weren't what, in modern terms, is considered "Politically Correct." We've seen this, more recently, in how Diana doesn't have Clark's and Bruce's "no killing" rule.

Which brings us to a flashback sequence from Perez's run, drawn by Tom Grummett, that got them some angry letters. Anyone who was familiar with Sir James Frazer's or Joseph Campbell's studies of ancient cultures, their myths, and their rituals, understood, completely, as would anyone familiar with mid-90s Disney animated films.

What event marked the young Diana's coming of age? It wasn't a Bat Mitzvah.

Read more... )

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