thehefner: (Default)
[personal profile] thehefner
All good things, and all that.

If you haven't been reading these strips, you can find them all at over here, which I figure will be easier than giving you a whole bunch of links. For those who have been reading it, thanks for all your comments. This has been a labor of love, and I'm gratified by all the thoughtful responses for this lost gem I've been obsessed over for the past month.

I don't know why the Batman strip ended on what I can only assume was due to cancellation. Poor response from readers? The impending release of Batman Returns? Some editor didn't like it for whatever petty reason? Maybe we'll finally get the answers should this strip ever see print someday.

Either way, it's strange that the strip should end with a Mad Hatter story. But even still, Messner-Loebs manages to bring the story to an end which I found surprising and moving. As with the entire strip, this final story is not without its flaws, but it's also more bold and intriguing--in its own quiet way--than many Batman stories in recent memory.





Final showdown in Arkham Asylum, behind the cut )


So at the end, what is there to say about the Batman comic strip? It wasn't perfect, partially due to the daily nature of the format, and partially due to creative inconsistencies. The series ended abruptly, with little in the way of a last word for major characters like Dick, Alfred, Jim Gordon, the Joker, or even Alice Dent. Even Bruce's own arc seems only sketched out at best, leaving us to fill in the blanks.

But as I said before, the true protagonist of this strip--at least, ever since Messner-Loebs and Infantino took over--was actually Harvey Dent. His arc frames the entire strip, which ends exactly when his own story does. Warts and all, this is one of the greatest Two-Face stories I have ever read.
thehefner: (Default)
[personal profile] thehefner
With original writer and creative mastermind Max Allan Collins forced off the Batman strip by dickwad editors, the new creative team of William Messner-Loebs (The Flash, The Maxx), Carmine Infantino (Silver Age legend, co-creator of Barry Allen and Elongated Man), and John Nyberg (The Flash, Doom 2099) took over for the rest of its run.

Here's where things start getting interesting when it comes to Harvey Dent, seen only briefly in Collins' first storyline as a stuffy bureaucratic who resents Batman and fears that the vigilante's actions could result in lawsuits against the city. Under Messner-Loebs, Harvey becomes a full-on supporting character, not just as District Attorney and antagonist for Batman, but also as Bruce Wayne's best friend... two years *before* BATMAN: THE ANIMATED SERIES. Until that show, it seemed that no one had ever written Bruce and Harvey as being friends. Batman, yes, but not Bruce Wayne. But this strip did it first, and I can't help but think that Dini, Timm, and company read this strip as it came out.

What I love about this Harvey Dent is that he isn't a saint, but he isn't corrupt either. He isn't a guy with anger issues consumed by his obsession with the mob, nor is he the White Knight of Gotham. This actually may be the most human-sized take on the character before he becomes Two-Face, decidedly different from the festering ball of pain we usually see (my favorite version).






Oh, and it also features some new criminal guy named the Penguin, but I'm sure he's not all THAT important... )
sherkahn: (Cave Batman)
[personal profile] sherkahn
Newsarama has the preview of issue #18, and lots of players are out in the field.

And speaking of being out in the field, one moment that brought a smile to my face.

For the trophy room )
thehefner: (Default)
[personal profile] thehefner
First things first: who here *hasn't* read the Batman story arc Strange Apparitions (the legendary comic arc by Steve Englehart, most famous for including the all-time great Joker story, The Laughing Fish)?

If you haven't--or if you've only read Fish on its own but not the surrounding story--you should at least know that it's generally considered one of the finest Batman stories of all time. I certainly agree, but I don't want to oversell it as a work, since hyped expectations have killed many a great story. I can at least safely presume to call it one of the most important and influential Batman comics of all time, and for that alone I urge you to track down the trade paperback.

Or at least, I would, if it weren't out of print. WTF, DC?

I was actually tempted to post the entire storyline here, but I had a hard enough time singling out the Hugo Strange subplot while keeping these scans under the 1/3rd limit. The story is just that tight, with each issue packed to the gills with plot, action, and character stuff.

So with regret, let's eschew the excellent stories of Bruce and Silver St. Cloud's affair, of the introduction of Dr. Phosphorus and the reintroduction of Deadshot, of the thieving Penguin and tragic Clayface III, and even of the greatest Joker scheme of all time.

Instead, let's focus on the grand return of Batman's first arch-nemesis, and the scheming villain who made the damn fool mistake of crossing him:





At least, they do for now... )

If you'd like to read all of Strange Apparitions yourself, I wish you the best of luck. As previously stated, this beloved classic is bizarrely out of print. If you're up for scouring back issue bins and/or the internet, the story's been collected in trade paperback, which itself is a collection of the five-issue miniseries Shadow of the Batman, which reprinted the original issues. Basically, find it any way you can until DC comes to their senses.

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