arbre_rieur: (Seaworth)
[personal profile] arbre_rieur


"The period novel in the Marvel Universe feels most unusual for me, especially without a lot of satire. I did some period stuff in Journey Into Mystery and Uncanny X-Men, but I was broadly satirical. I did a whole issue of Uncanny about Dostoyevsky and it was a broad parody. This isn’t, it’s firmly in the setting." -- Kieron Gillen

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arbre_rieur: (Default)
[personal profile] arbre_rieur


'Really, I look at this as a singular statement of novelistic intent about a character who is iconic and important. To me it’s like “why did you need Dark Knight Returns?” This is a rare chance to do with a Marvel character something of singular emotional importance, to really try to do something like that.' -- Kieron Gillen

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arbre_rieur: (Default)
[personal profile] arbre_rieur


"Logan spends the majority of the issue in his cage. It struck me that a way to capture that claustrophobia would [be] to do the whole issue in an Alan-Moore-esque nine-panel grid. You can even imagine the grid as the bars of a cage, if you see what I mean." -- Kieron Gillen

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arbre_rieur: (Default)
[personal profile] arbre_rieur


"It takes place right around the time the German Schlieffen plan for winning that war was was made up. So we're on the cusp of what will be frankly a horrific century and what will civilization mean, then? An earlier draft of the story featured characters like Sigmund Freud and the Futurist movement. That was my original focus. All that stuff is sort of gone, and now I'm really focusing on the characters and what's important there, but in terms of themes, the idea of civilization and how violent it can be is a big part of this story." -- Kieron Gillen

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arbre_rieur: (Default)
[personal profile] arbre_rieur


'I'm doing the wolf pack stuff a little bit more realistic than most people. It's based around pretty current research into how wolf packs work. I said Jack London was an influence, but his science in "Call of the Wild" was a bit iffy. In "White Fang" it was a little bit better, for the period, but still we know now that's not how wolves operate. Wolves, fundamentally, are family animals. A lot of our understanding about dominance comes from wolves in captivity, which is like trying to uncover how human society works by looking at prisons.' -- Kieron Gillen

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starwolf_oakley: (Default)
[personal profile] starwolf_oakley
7 pages from LAST WILL AND TESTAMENT, a one-shot by Brian Meltzer and Adam Kubert. It has Deathstroke saying he used his Crazy Juice on Terra, as he used on Rose/Ravager and Cassandra/Batgirl.

Royal rage )
proteus_lives: (Default)
[personal profile] proteus_lives
Greetings True Believers!

Here are some scans from X-Men: Schism #5.

Forget X-Force, Avengers, ninjaing around the globe. This is what Wolverine should be doing.

Enjoy!

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sherkahn: Monarch from the Venture Brothers (The Monarch)
[personal profile] sherkahn
Whoa.

This is DEFINITELY one of those fights you are not going to apologize for later and everything will be ok.

Marvel has the pencil art for issue #4 and one image from #5, as well as a talk about the talent supplying art for this major event.

The page from #5 is behind the cut (as we have seen other stuff from #4 in other forms before).

Bring the pain )

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