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[personal profile] laughing_tree


'One way of describing Phonogram would be that it fits into a middle ground. It’s a comic that uses much of the pulp idiom but is trying to engage with more philosophical topics. File next to things like, say, The Sandman, The Invisibles or Transmetropolitan.

'“Middlebrow” would be the term some would use, but I’d reject that dichotomy as hard as I’d reject anything, and I consider people who view the world in that way as my active aesthetic opponents. I think of Phonogram as “anti-brow”. I hate the polar dichotomy in all art, and Phonogram’s merging of pulpy tropes and literary nonsense was my attempt to try to mirror pop music itself.'
-- Kieron Gillen

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[personal profile] laughing_tree


'Following some of the commentary, I suspect this is the first time in all criticism that an artificial sun above Hiroshima has been considered “too subtle.”' -- Kieron Gillen

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[personal profile] laughing_tree


'There’s no scientific underpinning for why music affects us profoundly as it does. There are a few ideas about how it works, sure – but no “why”. Something like music, which does everything from changing your day to changing your life for no reason, may as well be magic. It’s certainly the closest thing in real life to it.' -- Kieron Gillen

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[personal profile] laughing_tree


"A straight fantasy approach suggests that even the idea of music as a transmutatory force is fantastical, as ludicrous as believing fairies are waiting at the bottom of your garden. The non-fiction approach leaves it dry and historical, a piece of pure explanation with none of the raw poetry and inspiration that narrative allows, and is all too important in pop-music. And pure autobiography reduces everything to a grey sludge, the hammer of honesty flattening everything to a vague nihilistic description of 'just what happened,' but misses out what actually happened. Phonogram is about the tension between these three poles, which is the only way I could express the entirety of how pop music works." -- Kieron Gillen

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[personal profile] laughing_tree


"A key element of the traditional superhero comic -- the thing that actually divorces it from science fiction -- is that there are these entities of incredible power, but despite all this it doesn't change the world in the slightest. Hence the persistence of the thrill of looking at your neighborhood fence and imagining a geeky teen gifted with arachnid powers propelling him over it at enormous velocity or the local school being razed beneath the fists of a towering green man. It contextualizes these characters into your everyday life. Equally, like the Transformers, through secret-identities there's this insertion of God-like figures into the human world. Superhero comic' closest genre neighbor is the modern fantasy, despite its science fiction or crime tropes." -- Kieron Gillen on urban fantasy

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[personal profile] laughing_tree


"Most traditional fantasy gives you another world to run and hide in. A modern fantasy allows you to reclaim yours. Reality remixed, expanded, made precious, made you. As Le Parkour is to the physical geography of a city, so is a modern fantasy to its spiritual geography. Redefining it in terms to please you rather than chain you. That's a key part of PHONOGRAM ideology." -- Kieron Gillen

I posted pages from the first issue some time back. I meant to post from the rest of the series sooner but got sidetracked by other stuff. Well, here we go.

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"You get this strange idea from people who do a surface reading of what McKelvie and I do that it’s somehow pandering, when really what we do is tough as balls on our cast (and readers and ourselves). It’s the sort of reading which assumes that Young Avengers is about Evil Parents went it’s actually about Teenagers Fucking-Up And Eventually Realising It And Owning It. WicDiv is about fandom in many ways, but it’s not a complimentary portrait." -- Kieron Gillen

Trigger Warning: Misogyny, rape threats

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[personal profile] laughing_tree


"7.5% of monthly comics in the Direct Market today are by me. White male written comics are suffocating other voices in the market. I am that white male." -- Kieron Gillen

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[personal profile] leoboiko
In this "remix" issue, we finally learn a bit more about the thought processes of everyone's least favourite creep (3 pages from recent comic, spoilerish): Read more... )
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[personal profile] laughing_tree


"'Music is Magic' means nothing by itself. It's a metaphor that has been probed by writers and musicians for as long as people have realized that a sequence of noises have the power to change people's emotions in fundamental ways, for no discernible reasons - and that's the closest thing to the genuine supernatural that we can find in the real world. It's a good metaphor.

"Problem is, I don't really mean it as a metaphor. I just mean it. If there's a God, it's in pop music, which means for me the stakes are higher than for the dilettantes."
-- Kieron Gillen

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[personal profile] history79



"Nearly a decade ago, Emily Aster sold half her personality for the power to rule a coven of phonomancers. I’m sure nothing could go horribly, monstrously wrong now. In a world where Music is Magic, a song can save or ruin your life. In THE IMMATERIAL GIRL, we discover what a video can do."

- Image Comics press release


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"We’re planning action sequences that make Young Avengers look like a slice-of-life comic about collecting nail clippings. There'll be formalist art-as-comics-comics-as-art playfulness that makes Phonogram look like the most derivative and graceless phoned in piece of shit on the shelves. When we need to, we’ll push all the dials into the red. (Not that we’ve ever been known to over-promise.)" -- Kieron Gillen

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Founded by girl geeks and members of the slash fandom, [community profile] scans_daily strives to provide an atmosphere which is LGBTQ-friendly, anti-racist, anti-ableist, woman-friendly and otherwise discrimination and harassment free.

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