laughing_tree: (Seaworth)
[personal profile] laughing_tree

'Considering how fleeting and ephemeral some of our source material is, I think we’ve both been a bit startled by some of the profoundly human statements that have emerged, as if from nowhere. Also, given that our brief and our intentions are to create horror stories, we’ve both been pleased to discover a new breadth in that remit. . . We’re finding that horror has a lot of different flavours, and in Cinema Purgatorio we’re hoping to extend and educate both our own and the readers’ palates. And you never know, the reader might discover that they’re looking at forgettable old films completely differently and becoming aware of some of the uncomfortable shadows in the background. That has certainly been our own experience thus far, and there are an awful lot of movies or movie devices that I personally am never going to see in the same light again.' -- Alan Moore

The first issue of Alan Moore and Kevin O'Neill's new anthology is out...

Read more... )
[personal profile] lego_joker
Right about now, I'm at exactly the right age to start pursuing all the Classics in comic-book history in hopes that I'll become better at winning arguments with other comic book nerds on the Internet. And when it comes to the Classics, there's only one name for someone as myopic as me: Alan Moore.

Sure, Moore's star has faded for many fans today, but his mastery over dialogue, pacing, and plotting alike still leaves roughly 80% of comic-book creators today in the dust, and I've never read more than a fraction of his work. No time like the present to fix that.

And since I'm an obsessive little bastard, I insist on poring over (almost) every little bit of Mr. Moore's extensive bibliography, starting from the very beginning. I'd originally planned on doing this series in strict chronological order, but I quickly realized that that wouldn't quite work, so I'm doing it by franchise instead - though still in rough chronological order. And because all reading and no discussion makes Lego go crazy, I invite all of you well-read S_D'ers to come read along with me.

We'll be beginning with his five backup strips for Doctor Who, a series that I know and cherish well, as is mandatory of every geek on the Internet. Seriously, it's about a space cop who goes flying around in a phone booth fighting the Borg, right? Right?

Behind the cut: my first real contact with Doctor Who. Thanks, Alan! )
superboyprime: (Default)
[personal profile] superboyprime

"There are... the fictional characters of the present day, and again they're drawn from an even wider variety of media than we were employing in 1969, but this is probably just me and Kevin's take upon it, but you can't help but think that there's a certain degree of... a process of degrading that has kind of gone on, a deterioration.

And I suppose that, in Century as a whole, I mean we're going to be starting off with Bertholt Brecht and the Threepenny Opera which is pretty cool, and then y'know, 1969 we're referencing all these films like Performance and Get Carter which while perhaps not the Threepenny Opera were still pretty good, and in 2009 of course we're referencing the stuff that's around today which doesn't even feel to me like it compares with Get Carter, Performance, or even Villain which wasn't the best film in the world but you know, at least had a performance by Richard Burton and Ian McShane in it that was very watchable.

So I think that might end up being one of the subtexts of Century as a whole, that it will be just this slow degradation of culture, you know sort of in the space of a hundred years."
-- Alan Moore

Here are four pages from League of Extraordinary Gentlemen, Century: 2009, the final issue of the three-part story...

A visit to Hogwarts )
espanolbot: (Default)
[personal profile] espanolbot
A century long conspiracy to bring about the Antichrist comes to a head, and just when it seems all looks lost, an unexpected person comes to the rescue...

Triggerwarning for gore
Spoilers )
icon_uk: (Default)
[personal profile] icon_uk
Well, I caved in and bought that "Best of 2000AD" book I mentioned a while back and it has some choice samples of very very early 2000AD, first issue early, and many more from later periods, so I thought a little pot-pourri might be fun to share.

Sadly the 1/3 rule, laudable though it is, is a complete swine to factor in for a five page story, since I don't even get two whole pages, but I work with what I have.

Starting with the furore triggering 'INVASION!' )

Shako - Lassie he ain't! )

Ever wonder what the ABC in ABC Warriors stood for? )

And finally, sports )
starwolf_oakley: (Default)
[personal profile] starwolf_oakley
In LEAGUE OF EXTRAORDINARY GENTLEMEN #5, Alan Moore and Kevin O'Neill treat us to a flashback to Reichenbach Falls in Switzerland. This doesn't show how great a detective Sherlock Holmes is, but does show he's not to be underestimated in a knock-down drag-out on a precarious cliff.

League of Extraordinary Gentlemen V1 #5 - Page 3

Treading the borders of mythology )
[identity profile]
He does. It's in his recent interview with

AM: That’s it. It’s the paucity of imagination. I was noticing that DC seems to have based one of its latest crossovers [Blackest Night] in Green Lantern based on a couple of eight-page stories that I did 25 or 30 years ago. I would have thought that would seem kind of desperate and humiliating, When I have said in interviews that it doesn’t look like the American comic book industry has had an idea of its own in the past 20 or 30 years, I was just being mean. I didn’t expect the companies concerned to more or less say, “Yeah, he’s right. Let’s see if we can find another one of his stories from 30 years ago to turn into some spectacular saga.” It’s tragic. The comics that I read as a kid that inspired me were full of ideas. They didn’t need some upstart from England to come over there and tell them how to do comics. They’d got plenty of ideas of their own. But these days, I increasingly get a sense of the comics industry going through my trashcan like raccoons in the dead of the night.

KA: [laughing]

AM: That’s a good image, isn’t it? They weren’t even particularly good ideas. For Christ’s sake, get some of your own ideas! It’s not that difficult. You used to be able to have them! I’ve also heard that, apparently, a fifth of the direct sales market in comics is my work—twenty percent! I’d imagine that the sales in places like Borders and the big book shops, which are increasingly where the bulk of the market is, it’s probably a higher percentage.

For legality, three pages from Volume 2 of The League of Extraordinary Gentlemen. Gullivar Jones from Edwin Lester Arnold's Lieutenant Gullivar Jones: His Vacation meets up John Carter from Edgar Rice Burroughs's Barsoom novels to plot against the Martians from HG Wells's The War of the Worlds.

[identity profile]
My favorite bit from the Black Dossier. Jeeves. Wooster. Cthulhu. Hijinx ensue.
[identity profile]
From LOEG V.2, a scene that captures the absolute essence of Hyde. Some might go with the Invisible Man scene. I would choose this.
[identity profile]
A bit that stuck out from the immensely enjoyable new League of Extraordinary Gentlemen.


scans_daily: (Default)
Scans Daily


Founded by girl geeks and members of the slash fandom, [community profile] scans_daily strives to provide an atmosphere which is LGBTQ-friendly, anti-racist, anti-ableist, woman-friendly and otherwise discrimination and harassment free.

Bottom line: If slash, feminism or anti-oppressive practice makes you react negatively, [community profile] scans_daily is probably not for you.

Please read the community ethos and rules before posting or commenting.

May 2016

1 2 3 4 5 6 7
8 9 10 11 12 13 14
15 16 17 18 19 20 21
22 23 24 25262728

Most Popular Tags


RSS Atom

Style Credit

Expand Cut Tags

No cut tags