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From Neil Gaiman's Sandman series comes a unique form of punishment that only the Lord Of Stories could envisage

(Warning, below the cut lies commentary on a plot that involved rape. I don't go into graphic detail or anything, but better to warn those that it might be a trigger for)

This is from Calliope )
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Matthew the Raven (known before as Matthew Cable) and The Corinthian 2 (known after as Alex Corinth)



You have beautiful eyes, Matthew.  )



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I went through a period a while back where i was looking for trans women characters in contemporary comics and graphic novels* and a lot of people referred me to Neil Gaiman, with The Sandman series in particular, and told me about how he's friends with ~real live trans women~ and all that. And i still see him referenced, here and elsewhere, as providing some of the best inclusions of trans people in those forms of visual media to date.

The problem was, I already owned the entire series (for a long time; i got them when i was in my mid teens), had gone back and read it again, and found it disappointing in most parts which included trans women and in others it actually brought up feelings of body dysphoria and memories of violence. And while i do appreciate some of the more gender fluid characters in the series--especially Desire--they're not trans women.

Large scans under cut, some NSFW, a little bit of tl;dr rambling, and may contain spoilers for those of you who haven't read it yet but plan to )

And, reading this, i'm like, my god, this is some of the best, least cissexist inclusion of trans women in comics?

So yeah, i don't know, i'm mostly posting this here for the discussion (which i won't, unfortunately, be able to participate in beyond this post until later tonight)--what do you think about Gaiman and the stories i've posted scans of, where have you seen trans women in comics that i've maybe missed, and so on and so on.



*Somewhat unsuccessfully, unfortunately
[identity profile] merseybeatler.insanejournal.com
The Corinthian is, well, so fucking creepy. I don't even know where to begin. Seriously, I haven't had that many nightmares about a fictional character since kindergarten (about, er, Captain Hook!). Obviously, though, that was the intention. :P
Anyway, I've decided to start reading as many of the Sandman spinoffs as I can find, beginning with Gaiman's Death miniseries which I posted earlier. The Corinthian: Death In Venice is written by Darko Macan and illustrated by Danijel Zezelj (??) and was, frankly, quite disappointing. Not scary at all. It seemed to be trying to channel Ann Rice, but failing. HE EVEN LOOKS LIKE BRAD PITT
 
Without further ado, scans:
AND NOW FOR SOMETHING MARGINALLY DIFFERENT:
There.
[identity profile] merseybeatler.insanejournal.com
Death: The High Cost Of Living is a three-issue miniseries published by Neil Gaiman, published in 1993 as a Sandman spinoff. 
One day in every century Death takes on human flesh, better to comprehend what the lives she takes must feel like, to taste the bitter tang of mortality. 
This is the price she must pay for being the divider of the living from all that has gone before, all that must come after.

Featuring almost everyone's favorite anthropomorphic personification of kicking the bucket, being cute. Also spoilers.




:D
[identity profile] icon_uk.insanejournal.com
From Sandman #20, "Facade" from the Dream Country arc.


It was so hard to pick a single moment, but this, for the last panel alone, remains my favourite.
[identity profile] icon_uk.insanejournal.com
From Sandman #64 comes this two page sample of a "Week in the life being" of Morpheus, the Oneiromancer, the Prince of Stories, also known as the Sandman...

[identity profile] red_cyclone.insanejournal.com
This is my perfect Desire moment, Gaiman perfectly shows just how self-obsessed s/he is, and how much a creature of the moment, and the words utterly haunt me. I really wanted to use it in my dissertation, but unfortunatly I couldn't find a way to work it in, this makes up for it.
Read more... )

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