Nice to see Mahnke returning to some of the fine detail work he was doing on FRANKENSTEIN, the first time I saw his work and a style I liked. He's been relying (or inkers have) on lines that are too bold and roundy--that's really more a Patrick Gleason thing.

And if Sinestro doesn't get the message by now that Parallax just isn't that into him, well, he graduates to stalker and Parallax should take out an order of protection, I say.