In the late 90's, Rob Liefeld hired Alan Moore to revamp Liefeld's "Awesome Universe," the superhero universe of such characters as Supreme and Glory. Moore's version of Supreme, which was something of a Superman pastiche/homage, is fairly well-known to fans, and a lot of people have sung its praises. Somewhat less well-known is Alan Moore's proposed revamp of Glory, which would have followed along similar lines, using Wonder Woman instead of Superman as a template. There were some troubles with Liefeld's company around the time it was set to come out, so not much in the way of actual comic book work materialized. However, Liefeld did end up publishing Alan Moore's outline for the revamp, alongside a bunch of other stuff, in a one-shot called "Alan Moore's Awesome Universe Handbook."
It's quite the fascinating read, as Moore shares some thoughts on early Wonder Woman comics and the way mythology tends to be approached in shared universe superhero comics. It's an intriguing peak at what might have been if Liefeld had only run a tighter ship. And it's a testament to Moore's skill as a writer that this mere proposal, by itself, is more interesting, imaginative, and charming, probably even more intelligent, than most superhero comics being published these days. I especially like his description of the Diamond Chariot, the equivalent to Wonder Woman's Invisible Plane that he comes up with. Oh, so many possibilities.