cyberghostface: (Joker)
cyberghostface ([personal profile] cyberghostface) wrote in [community profile] scans_daily2018-08-04 01:26 pm

The Killing Joke: Original vs Recolored



With the rerelease of 'The Killing Joke' a few years ago Brian Bolland opted to recolor the original art to his liking as John Higgins' coloring wasn't what he intended the book to look like. This of course has proven to be controversial and has been compared to George Lucas messing around with Star Wars.

I'm in the minority but I actually prefer the new recolors with some exceptions. The big difference is that the original is much more garish and psychedelic whereas the new colors are much more stark and muted.

My only real issue is that the original coloring is technically out of print and not at all available in a digital format. DC is rectifying this somewhat with 'The Absolute Killing Joke' which contains both coloring so hopefully the original will be available in some capacity in the near future.

The one bit where I prefer the original colors are the scenes with Joker's funhouse at the end.









So yeah I think given the surroundings and what Joker's trying to do the garish colors work better and the more muted look doesn't capture the insanity as well. The "throne" with Joker doesn't have that oompf with the plain colors.

Another big change was the flashbacks; in the new recolor they're all black and white except for the color red culminating with the helmet and cape of the Red Hood.





Ultimately I really like the black and white coloring with use of red but Joker bleeding from the eyes as opposed to just crying was in my opinion an unnecessary change. I prefer the idea that Joker is laughing and crying at the same time.

I think the ending scene between Batman and Joker works better with the new colors.









From a visual perspective I just think the scene works better with the more gothic coloring over the garish one. I think it's a powerful moment and one of the best Batman/Joker scenes and the psychedelic coloring doesn't suit the story as much when we're out of the funhouse.

Curious as to which colors you prefer and why.
alicemacher: Lisa Winklemeyer from the webcomic Penny and Aggie, c2004-2011 G. Lagacé, T Campbell (Default)

[personal profile] alicemacher 2018-08-04 09:27 pm (UTC)(link)
80s through early 90s colouring, at least within DC (I'm not familiar enough with that of other publishers from that time), tended toward the garish, for some reason. It's visible not only in The Sandman original issues and early trade editions, but also in Eclipse's original Miracleman run (both the colourized Marvelman stories from the Warrior magazine era and the new issues). In the case of both titles, digital recolouring has toned things down so the colours, while still vibrant, aren't gaudy as such.
kamino_neko: Tedd from El Goonish Shive. Drawn by Dan Shive, coloured by Kamino Neko. (Default)

[personal profile] kamino_neko 2018-08-05 02:18 am (UTC)(link)
Garish, and rather monochromatic...so much detail lost in vast fields of single colours.

IME, it's, if not entirely restricted to, then at least most common, in 'mature audiences' books. At DC, mostly the ones that would become the first wave of Vertigo books. The more mainstream, or particularly kiddy books, had standard colouring.
zachbeacon: (Default)

[personal profile] zachbeacon 2018-08-06 12:04 am (UTC)(link)
Yeah, I no longer have my original trades to compare the new art to but I remember the colors being unworthy of the caliber of artists that were working on Sandman.

Its hard for me to look at Beasts of Burden or The Little Endless and not think about how Brief Lives would have looked if Jill Thompson had colored herself or just had a colorist with more modern sensibilities and technology.