cyberghostface (
cyberghostface) wrote in
scans_daily2023-04-19 02:04 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Entry tags:
- char: green goblin/norman osborn,
- char: human torch/johnny storm,
- char: invisible woman/susan storm,
- char: mary jane watson,
- char: mr. fantastic/reed richards,
- char: spider-man/peter parker,
- char: the thing/ben grimm,
- creator: john romita jr.,
- creator: zeb wells,
- publisher: marvel comics,
- title: amazing spider-man
no subject
no subject
Man someone is REALLY salty May Parker made it into the Spiderverse movies.
we truly live in a society.
no subject
(no subject)
(no subject)
no subject
(no subject)
(no subject)
(no subject)
ROT13 warning
Re: ROT13 warning
no subject
no subject
Looking forward to the 2040 story that retcons these two away like Gwen's kids. I'm sure Marvel editorial will be stringing readers along with a OMD reversal "any day now"
Sony will be on it's second Spider-Girl movie reboot by then.
no subject
no subject
(no subject)
no subject
no subject
(no subject)
(no subject)
(no subject)
no subject
(no subject)
(no subject)
(no subject)
no subject
So Mary Jane was married to Paul and had been for “years.”
Turns out I was half right. Only with time dilation instead of changing history.
Comic books are weird.
no subject
no subject
no subject
no subject
no subject
I think it's because it's very, very hard to write a no-fault breakup that feels both emotionally true and compellingly interesting. Breakups rarely make most people into their best selves: we get hurt, so we lash out, or else we get extra depressed for a while. But Marvel cares way too much about you liking both characters to make either of them believably bitter. And no matter how old they should be, the genre's always going to push them to look and act like young adults, so their outgrowing the relationship never feels quite...right.
So instead of any of that, you get over-the-top madness like selling the marriage to the devil, or losing out to time dilation, or Peter being "revealed" to be not the real Peter, or MJ being made to forget Peter and him just being too self-destructive to remind her, or that bit in Ruins where MJ gets killed by Peter's theme song, or whatever.
I don't know about you, but I find I'm a happier reader when I just try to enjoy whatever the current status quo is and ignore the spider-leaps of logic taken to get to it.
*The best of them was probably that time in the 1970s when--depending on how you feel about retcons--she either didn't know Peter was Spider-Man and just got tired of his constant absences and excuses like Gwen did before her, or else she did know and got tired of his constant lying to her and disregard for his own life and safety. Both are believable breakup stories, both put MJ and Peter in understandable positions, and both stopped being viable as soon as MJ started getting built up as someone who could handle a superhero marriage. It still wasn't great...watching a hero ruin his happiness by passively clinging to old habits is not as much fun as it sounds like. But at least it was believably human.
I'm not counting "Divorced Disaster Peter Parker" from the Spider-Verse films, always a delight, because his actual breakup with Mary Jane was painted in the broadest possible strokes and they're basically back together by the end of the first film anyway.
no subject
I honestly feels one of the biggest problems with the character is that it's somehow become this big thing that he's supposed to be some moral paragon. That's he's a Great Guy. Wasn't there even a Bendis Avengers arc that revealed he was a human with a perfect soul or something? It feels like the character's real world popularity leaking into the stories.
So much of the energy of those early stories comes from the fact that he could be petty.
(no subject)
(no subject)
no subject
no subject
(no subject)
(no subject)
(no subject)
(no subject)
no subject
no subject
(no subject)
(no subject)
(no subject)
(no subject)
no subject
So can't help notice that this is the colour scheme the colourist has gravitated towards for MJ and the weirdly-drawn kids.
no subject
This isn't adding up. How are they in such good shape while the kids are in rags, dirty and hungry?
no subject
no subject
“Poor communication kills” is a pretty standard trope, but I’ve rarely seen it done well. Just slow down for five seconds and freaking talk!
no subject
no subject