cyberghostface (
cyberghostface) wrote in
scans_daily2021-07-24 08:30 am
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Spider-Man’s Tangled Web #1

I've posted from Spider-Man's Tangled Web before but this time I've decided to share the entire series, issue by issue. For those not aware Tangled Web was an anthology title with premise that it would showcase those affected one way or another by Spider-Man. Like most anthology series, it's a mixed bag. Fortunately, when it's good, it's good. A number of the stories I would say are among the best written for the character.
First up is a story written by everyone's favorite Garth Ennis. This one's a bit surprising given Ennis's attitude towards costumed superheroes; it's a story that depicts Spider-Man as a hero who gets right back up whenever he's knocked down.
The story opens with a surly guy at a diner watching Spider-Man battle the Rhino outside his window.


We go to Peter at the Bugle where Jonah's turning down his photo of Spider-Man and the Rhino.


She attempts to mace him when she sees Carl but it doesn't do anything.



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One of the best character beats of early Spider-Man is that Peter's original bully/rival Flash Thompson grows up to be an alright dude, even if he can never quite admit to himself that he was in the wrong with Peter, and they end up hashing things out. It's typical of my problems with Garth Ennis' writing, but I just prefer the approach of everyone having some sort of interiority and capacity for growth to Ennis' patented turbo-sociopaths.
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(More importantly, Peter himself never seems to mind their rivalry all that much. Hell, in some issues he almost seems to look forward to back-sassing Flash.)
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1) It seems a major problem with the archetype is that has dominated the medium, and I suppose now most pop culture. I notice that Superman is actually more popular with people who aren't into superheroes than are, because he's sort of "grandfathered in". I think it's fair to say that Spidey would have always been an icon, even if the rest of Marvel's line went belly up, or the genre went through the crunch it did in the 50's. By contrast, Green Lantern, the Avengers, the X-Men sort of represent a glut.
2) Even when he's the butt of jokes, like in The Punisher, it's frankly not much more of a humiliation than he's suffered in his own book, the movies, or especially the Newspaper strip. The early Lee/Ditko tales were often about how absurd the concept of a costumed hero was, and often suggested Peter was not in a good place, psychologically, to be doing this. A proto-deconstruction if you will.
It should also be said that Ennis is an edgelord, but he's still a professional, and when he actually has to write the character as the protagonist, he's going to try and do something with it.