
In the film Apocalpyse Now, war is hell and hella confusing. There’s one clear objective centered on one person, but otherwise, most of the violence is almost random: the protagonists never get enough information to form a meaningful strategy. The second part of this arc, “Apokalips…Wow!!” is pretty much same.
Before that, though, we get an even more unlikely film reference, Ty Templeton tagging in on the finished art, and Manga Khan at his most ambitious and formidable.



The Cluster really should’ve included a time limit in their contract with Lobo. Far as he’s concerned, he hasn’t failed at all; he’s just playing the long game.
It might not surprise you to learn that Barda and her sidekicks survived that explosion, using Apokalips’ underground resistance to get their bearings and to get Rocket Red some new drip.

In exchange for Scott, Manga Khan wants the boom-tube technology that lets Darkseid and his minions teleport to Earth--the same tech that allowed Barda's team to keep up with the Cluster in their tiny ship. Negotiations continue…

…Until Barda’s team is discovered breaking into Granny’s orphanage. Granny and Vundabar respond to Barda’s return with outrage and a little fear, but the silver lining is that they can blame Khan for it, thus ending negotiations without besmirching Darkseid’s honor.

“Granny’s set loose the para-demons!”
In some action stories, “sheer weight of numbers” is just a phrase, and a solitary hero can dispose of a thousand nameless bad guys just by punching them a thousand times. This isn’t one of those stories. The para-demons are too much even for J’Onn, Barda, Red, and G’Nort.
Barda refuses to face this fact, and her passion to save Scott veers close to Ahab-like obsession until J’Onn asserts his own leadership at last.



That “Republican” reference is fascinatingly dated. You starting to wonder if Giffen and DeMatteis were a little fed up with fans complaining their stories weren’t like the classic JLA? I mean, it’s subtle, but…



Hawkman doesn’t seem like he’d have a problem with other people saying “hell,” but maybe he’s just mad his "SEVEN HELLS!" catchphrase never caught on.

Barda is the kind of leader who’s great at barking orders, not so good at empowering people with enough knowledge to make their own tactical decisions. As a result, even the more strategic heroes like Batman and Hawkman are at a loss.

Oberon gets knocked into an Apokaliptian sewer, and his situation goes from disgusting to unnerving:


Manga Khan tries to re-steal the property Granny’s stolen from him and the Cluster, but runs into a totally

Lobo catches up to Barda and, again, only acts like a grinning psycho when he’s fighting her, specifically. I’m not saying he’s got a crush, but I’m not NOT saying it.

Away from her, he’s a levelheaded guy who kills for money, not a crazy rampaging bozo who’d kill you as soon as look at you. (Cough.) Barda, for her part, has shifted from “save Scott, nothing else matters” to “I’ve got some friends to rescue.”


The fighting continues until it is silenced by a voice like the scraping stone of an opening grave.
“There goes our time and a half,” mutters a para-demon.



Giffen and DeMatteis are at their most subversive here, building up to a confrontation with arguably DC’s biggest villain, then resolving everything with a pile of anticlimaxes. Manga Khan and Lobo both end up flummoxed as their hoped-for big moments never quite arrive. This arc seems to cry out for a patented Mister Miracle escape scene, but Scott just sleeps through the whole thing.
And the action collapses like a house of cards as soon as Darkseid learns what’s up--not because Darkseid’s a reasonable guy, as Oberon ends up believing, but because Darkseid knows his priorities. His lackeys can’t let go of the past: Granny’s still obsessing over conditioning Scott, even though Scott is now a grown-ass adult. Darkseid’s smarter than that. He’s got a whole UNIVERSE to conquer: Scott will submit to him just by being PART OF THAT UNIVERSE. Between now and then, why borrow trouble?
The one person who does get a more-or-less solid hero arc is Barda, who accompanies the woozy Scott to bed in tenderness and triumph. She's saved him. She did it.

And she did it while learning NOT to get his teammates killed, which will make their pillow talk much less awkward.
Friday?: Something weird.
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Date: 2025-11-12 05:22 pm (UTC)It’s interesting that he starts off as an anonymous member of the Rocket Red Corps, who were a faceless mass of numbers, but some time with the League and he rapidly becomes a unique individual with his own distinct look.
I always had a fondness for the clunky first generation Rocket Red suits.
Even Darkseid proves vulnerable to the League’s aura of… irreverence.
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Date: 2025-11-13 12:29 am (UTC)no subject
Date: 2025-11-13 01:06 am (UTC)As I recall, the rest of the Brigade eventually switched to an outwardly similar design, though they could never keep up with the tech inside.
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Date: 2025-11-12 08:17 pm (UTC)And Oberon is from Apokalips? Huh, never knew that. Or I forgot. So, how do he and Darkseid know each other?
Manga Khan is great. I hope we see more of him.
Just loved this whole thing.
And call the end anticlimactic if you want, but I love the hell out of Darkseid just being such a force that he says "stop" and everyone does. I think that was more impactful than any brawl, slugfest, or melee they could have put to paper.
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Date: 2025-11-13 12:18 am (UTC)Him calling himself "one of Oberon's oldest and dearest friends" doesn't seem even a little bit accurate, but he knows Oberon won't contradict him on this.
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Date: 2025-11-13 11:38 am (UTC)Big Barda is the only person who can get off scott free.
is that a thing
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Date: 2025-11-14 01:22 pm (UTC)And that picture of Darkseid is iconic.