Some thoughts on some recent comics
Sep. 22nd, 2016 12:28 amThese are not reviews.

The Vision #11, by Tom King and Gabriel Hernandez Walta. Remember how, a few issues back, the cover of this book had a quote from Brian K. Vaughan in which he glowingly praised it? Interesting, considering how just a few issues later Victor Mancha shows up in a less-than-glamorous portrayal, which even retroactively revises his earliest BKV-written stories to be more in line with its darker take. My theory would be that the creative team specifically sought out Vaughan's approval for what they'd do to his character. They'd then have sent him early issues of the series to give him the context. Which explains what Vaughan was doing reading the book and being in a place to give a quote in the first place. (Seriously, the guy ordinarily never talks about mainstream superhero comics; whenever he's talking comics, it's about more indy stuff.)
Karnak #5, by Warren Ellis and Roland Boschi. I wonder how much detail other writers who are working with Karnak (Ewing, Soule) knew about Ellis' plans? Their portrayal is certainly in keeping with the earlier issues of the mini-series. But as the plot progresses, we're starting to see new facets to the character (or, more precisely, Ellis' take on the character), ones which we don't really see hint of in the other writers' stuff...

The Vision #11, by Tom King and Gabriel Hernandez Walta. Remember how, a few issues back, the cover of this book had a quote from Brian K. Vaughan in which he glowingly praised it? Interesting, considering how just a few issues later Victor Mancha shows up in a less-than-glamorous portrayal, which even retroactively revises his earliest BKV-written stories to be more in line with its darker take. My theory would be that the creative team specifically sought out Vaughan's approval for what they'd do to his character. They'd then have sent him early issues of the series to give him the context. Which explains what Vaughan was doing reading the book and being in a place to give a quote in the first place. (Seriously, the guy ordinarily never talks about mainstream superhero comics; whenever he's talking comics, it's about more indy stuff.)
Karnak #5, by Warren Ellis and Roland Boschi. I wonder how much detail other writers who are working with Karnak (Ewing, Soule) knew about Ellis' plans? Their portrayal is certainly in keeping with the earlier issues of the mini-series. But as the plot progresses, we're starting to see new facets to the character (or, more precisely, Ellis' take on the character), ones which we don't really see hint of in the other writers' stuff...
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Date: 2016-09-21 05:39 pm (UTC)Victor Mancha accidentally kills Vision's son and is arrested. Vision goes to kill him but his wife (to prevent a bad future I think) rips out his heart for him.
Edit: but if BKV likes it more power to him
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Date: 2016-10-18 08:16 pm (UTC)Plus BKV doesn't work at Marvel anymore.
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Date: 2016-09-21 07:39 pm (UTC)Why does that matter?
Seriously, why does the comic book industry and its fans act like anything that isn't immediately or very recently profitable is worthless and can be thrown away?
I hear that excuse all the time. "it's okay that [X] was killed because they haven't been featured in a story for some time." It's like the industry requires periodic sacrifices, it must meet its quota of dead characters every year. And people say bringing characters back from the dead makes death cheap, when that's just a symptom of the real problem.
If you think Victor's death is good for the plot and an acceptable price to pay for the sake of a great book, that's one thing. But then that would be the case even if Victor had been starring in a popular book until last month.
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Date: 2016-09-21 08:01 pm (UTC)If D-Man bought it in the Sam Wilson book, would some people be upset? Sure, eveyr character has fans. But would there be a big uproar? Probably not. There' s not a lot of potential for great D-Man stories.
If Sam Wilson bought it, people would be upset. There'd be a big uproar. There'd be many reasons, but one is that there's a lot of mileage left in Sam Wilson. There's a lot of potential stories for the character.
To segueway to comics-adjacent territory, in the recent season of Arrow, a character died, and there was a significant blowback because there was a lot of potential for future stories for the character. The character in question had narrative ties to most characters in the show, had a lot of plot threads still running, and it was all cut short abruptly. Meanwhile, another character on the show has had most of their stories fold in and conclude, doesn't have a lot of ties to the remaining cast, and a lot of the fans are wondering why *that* wasn't the character that was killed off.
I think that's part of why people look at that when they evaluate deaths, a waste of potential is seen as a 'wasteful' death. I'm not a Runaway fan, so I can't really judge in this case. All I know is that having come in on the back half of the Vision book is that it is ****ed up and I'm on the edge of my seat every issue.
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Date: 2016-09-21 08:32 pm (UTC)In other words: why should I invest love, time and money in a new character, when chances are like 90% that they'll be dead in 5 years?
I don't think of comics as just something you enjoy at the moment and then put aside, but rather as things with an esponential level of enjoyment. The more I care for a character, the more I enjoy their stories. Thus, previous issues are the foundation of my affection for the character which lets me enjoy current issues more.
When DC literally goes "oops, we created too many teen heroes. Welp, time to go on a killing spree to clear the space!" that tells me that I shouldn't invest in new characters anymore, because I won't be given the chance to keep my foundation and won't be able to enjoy the stories as much as I otherwise would have. THAT is what I call wasted potential.
And then of course there is the fact that potential is an extremely subjective thing. For example, people used to say that Bane sucked, and his death would most likely have not been seen as a waste of potential; then Gail Simone started writing him in Secret Six, and suddenly everybody loved him and wanted to see more of him and the very idea of killing him off was met with horror. Catman too, he is a massively beloved fan favourite today, do you think anybody would have shed a tear if they had killed him off 10 years ago?
Almost any character has the potential to be awesome, it's just that most times that potential goes undiscovered.
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Date: 2016-09-21 09:21 pm (UTC)1. It didn't need to be Victor. All that was required for the story to progress was that Vision's son is accidentally killed and Vision in effect goes after the Avengers and whoever killed him. It wasn't even Victor in the original draft of the story to get an idea of how replaceable he was. In that context, it's a waste as it's less of a meaningful ending to a character's arc and more of a plot device in someone else's.
2. The story turns Victor into a drug addict (I think? IDK what they were going for with the vibranimum) who kills a kid. So it's one of those things that permanently taints his character in such a fashion even if he were to return short of a complete retcon.
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Date: 2016-09-22 11:13 am (UTC)I also don't see why not being in the original outline means much. The whole point of a rough draft of anything is to be altered for the better. Sometimes those alterations end up being very drastic. A number of works even have completely different *endings* than their original outlines. Victor might have been a late edition, but that doesn't mean the story wasn't tailored and molded to fit his presence once he was added.
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Date: 2016-09-21 09:30 pm (UTC)In retrospect, I may have been too brusque in my reply to you... The casual killing off of characters is a huge pet peeve of mine, and *THE* reason I dropped Marvel and DC for many years (with the exception of the occasional self-contained one-writer Elseworld), so it gets me heated up quick. But I didn't mean to come across as antagonistic to a fellow poster :/
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Date: 2016-09-21 09:47 pm (UTC)Yeah, okay, a handful of scans are not really the best metric to judge a series, but from the looks of it... it's just bleak.
Okay, yes, that's the point, but... the constant "AND THEN SOMETHING EVEN MORE HORRIBLE HAPPENS" and the narration promising more doom'n'gloom and Vision trying to murder someone (even if for understandable reasons)...
Just don't get it...
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Date: 2016-09-22 01:56 am (UTC)Bad enough they gave Vizh this treatment, but I'm very unhappy that they dragged Victor into it.
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Date: 2016-10-18 03:09 am (UTC)Actually, it was Star Trek: Voyager, and it was the Emergency Medical Hologram. And it was quite a bit less violent; I don't think that any of the neighbors died. But I don't know that this is different enough to justify rehashing the plot.
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Date: 2016-09-21 11:29 pm (UTC)He's looking in a mirror twice over.
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