And yet that still doesn't absolve the Comedian from killing a woman and her unborn child... because he didnt feel like dealing with them at the time.
Manhattan's inaction has very little to do with how this colours the Comedian. He's no saint, but he's going through a lot more than the comedian, he didn't stop it, because to him, it already happened, he sees time all at once. Still, I just think he's being a tad dramatic there too.
And yet does that absolve the Comedian? Nobody made him want to pull the trigger. He could have been the bigger man and just walked it off, he could have done something significantly less lethal like slap her (although that would, of course, still be bad), but his FIRST INSTINCT is to gun her down. To kill her. And no-one's to blame but HIM.
In the story, I don't think he was trying to absolve himself - I think he was just making the point that Dr. Manhattan was no better than he for simply watching it happen, and thus certainly in no position to make moral judgements.
In that sense, the scene is also a religious one - as Doc steadily becomes more God-like over the course of Moore's series, you can see the Comedian as a representation of Man against God - "You judge me for the terrible things I've done. But you're all-powerful and all-knowing! You could have stopped them just as easily as I could have, if not more so!".
It's also why I hate that JMS has been put on the Dr. Manhattan book, by the by. He also tackled the argument of "If you're so powerful, why can't you save everyone?" in the most hackneyed manner possible, at the beginning of the "Superman: Grounded" arc, as the motivation for the entire arc. I don't think he quite gets that this is the sort of argument usually asked by complete dicks, not grief-stricken widows (See also: Richard Dawkins).
Excellent points, but I still think the Comedian has a tendency to avoid blame if and when he can, partly because he enjoys the life his actions give him and partly because he doesn't know any better. See also the scene where he's confronted by Laurie over raping her mother, and he responds 'only the once', or something along those lines; Granted, it ties into the revelation that comes later for Laurie, about him being her father and the fact that her mother actually hooked up with him after that pretty vicious assault, but that kind of answer doesn't exactly strike me as good.
I do think the later scene with the woman in Vietnam is tied to his raping Sally earlier in the story - in that instance, Hooded Justice stops him, and in Vietnam, Manhattan does not, so I don't know.. On one level I'm not sure if the Comedian expected some manner of intervention before he went to far, and simply didn't receive it. I don't think it excuses him entirely, if at all.
But.. Yeah. I think the tragedy of Jon in the main story was his increasing apathy toward things; The big argument with Jon isn't 'why can't you save everyone', but 'why AREN'T you saving everyone' - or at least, that seems to be what the Comedian levels Jon with in Vietnam. That does get solved in due course by Moore, of course, but I don't think JMS is particularly the best person to be handling the character.
You hit it on the head - can't instead of aren't. I mean, that's what I was just trying to get across, I suppose I just phrased it poorly.
Just as you relate the Laurie/HJ attack to the Vietnam woman/Doc attack, so do I also think that the "Only Once" scene was partly coloured by his dialogue immediately before, where he's joking around about possibly having assassinated JFK. It's not just that he's trying to defend his character with the double meaning of "Only Once" (he's referring not to his track record with ALL women, but with this particular woman), but he's also been a government agent all his life, scarred both mentally and physically - he sticks to the story.
His entire life has been about sticking to this 'screw you' narrative, about life being a joke and it being every man for himself and cynicism being the only sane viewpoint - and then Ozymandias' plan completely upsets that ideal by presenting him with a CALCULATED mass murder. Not "life's shit and then you die", not "everything's a joke", but someone actually plotting out and planning the mass deaths of millions to achieve a result.
In one way, he's the anti-Spider-Man: completely adverse to any sense of responsibility. The only times he's caught off guard are the "Only Once" scene and the above flashback with Moloch - both times when he's forced to take responsibility. In the former situation, the result of his twisted relationship with Sally is staring him right in the face, demanding to know why he hurt the woman who loved him; in the latter, he's attempting to deal not only with Ozymandias' total lack of remorse or hesitation towards his actions, but also with the fact that he just might have inspired the whole thing, years ago, with his "Smartest man on the cinder" comments.
A complex character, indeed - but one characterised by an inherently selfish viewpoint. The ultimate Libertarian, if you will.
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no subject
Date: 2012-09-15 08:14 am (UTC)no subject
Date: 2012-09-15 09:51 am (UTC)Manhattan's inaction has very little to do with how this colours the Comedian. He's no saint, but he's going through a lot more than the comedian, he didn't stop it, because to him, it already happened, he sees time all at once. Still, I just think he's being a tad dramatic there too.
no subject
Date: 2012-09-15 10:22 am (UTC)no subject
Date: 2012-09-15 12:30 pm (UTC)In that sense, the scene is also a religious one - as Doc steadily becomes more God-like over the course of Moore's series, you can see the Comedian as a representation of Man against God - "You judge me for the terrible things I've done. But you're all-powerful and all-knowing! You could have stopped them just as easily as I could have, if not more so!".
It's also why I hate that JMS has been put on the Dr. Manhattan book, by the by. He also tackled the argument of "If you're so powerful, why can't you save everyone?" in the most hackneyed manner possible, at the beginning of the "Superman: Grounded" arc, as the motivation for the entire arc. I don't think he quite gets that this is the sort of argument usually asked by complete dicks, not grief-stricken widows (See also: Richard Dawkins).
no subject
Date: 2012-09-15 12:42 pm (UTC)I do think the later scene with the woman in Vietnam is tied to his raping Sally earlier in the story - in that instance, Hooded Justice stops him, and in Vietnam, Manhattan does not, so I don't know.. On one level I'm not sure if the Comedian expected some manner of intervention before he went to far, and simply didn't receive it. I don't think it excuses him entirely, if at all.
But.. Yeah. I think the tragedy of Jon in the main story was his increasing apathy toward things; The big argument with Jon isn't 'why can't you save everyone', but 'why AREN'T you saving everyone' - or at least, that seems to be what the Comedian levels Jon with in Vietnam. That does get solved in due course by Moore, of course, but I don't think JMS is particularly the best person to be handling the character.
no subject
Date: 2012-09-15 12:59 pm (UTC)Just as you relate the Laurie/HJ attack to the Vietnam woman/Doc attack, so do I also think that the "Only Once" scene was partly coloured by his dialogue immediately before, where he's joking around about possibly having assassinated JFK. It's not just that he's trying to defend his character with the double meaning of "Only Once" (he's referring not to his track record with ALL women, but with this particular woman), but he's also been a government agent all his life, scarred both mentally and physically - he sticks to the story.
His entire life has been about sticking to this 'screw you' narrative, about life being a joke and it being every man for himself and cynicism being the only sane viewpoint - and then Ozymandias' plan completely upsets that ideal by presenting him with a CALCULATED mass murder. Not "life's shit and then you die", not "everything's a joke", but someone actually plotting out and planning the mass deaths of millions to achieve a result.
In one way, he's the anti-Spider-Man: completely adverse to any sense of responsibility. The only times he's caught off guard are the "Only Once" scene and the above flashback with Moloch - both times when he's forced to take responsibility. In the former situation, the result of his twisted relationship with Sally is staring him right in the face, demanding to know why he hurt the woman who loved him; in the latter, he's attempting to deal not only with Ozymandias' total lack of remorse or hesitation towards his actions, but also with the fact that he just might have inspired the whole thing, years ago, with his "Smartest man on the cinder" comments.
A complex character, indeed - but one characterised by an inherently selfish viewpoint. The ultimate Libertarian, if you will.
no subject
Date: 2012-09-15 02:15 pm (UTC)no subject
Date: 2012-09-15 02:17 pm (UTC)