Day 21: Favorite Comic Event? - Main Post
Dec. 21st, 2014 03:33 pmThese days the words "Comic Book Event" tend to fill me with dread, and not in the good way.
IMHO it translates as somwehere between "Desperate Marketing Ploy" and "We hope you believe that this one WILL have lasting consequences" with subtle tones of "We're also dragging in other titles to derail them completely for marginal returns, so tough luck if you're a fan of secondary titles".
Now they're not ALL bad, many have at least one good tie in, and "Necrosha" did bring Cypher back, but personally I haven't followed an "Event" with anything better than cautious distrust for about 20 years.
So picking one as my spotlight was a little tricky, and my mind kept going back to the beginning, and in some ways, the one that started it all...
In other words "Crisis on Infinite Earths"
Now, I don't personally agree that it was a GREAT event, I don't think that it was actually required to the extent that the DC higher ups thought it was. The separate Earths made sense in the context of their own stories

Now first thing to look at there is that who ISN'T front and centre on the cover... that's right, the Superman we see is the retired Earth-2 version, the Wonder Woman is the Earth-3 Superwoman and Batman is a tiny little figure at the edge... of the back cover.. The rest are a mix and match of heroes and villains from different dimensions (including ones we hadn't seen in DC before, like the Blue Beetle being there) and time periods. (Arion is the distant past, Dawnstar a millenium in the future) so in terms of sheer scale we could see, even pre-Internet, that this was likely going to be BIG.
And big it was... it had had a year long lead up thanks to cameos from "The Monitor" in any number of DC comics, again, set in multiple time periods too, the Monitor himself being first seen in the last issue of "The Losers", a comic set in WWII. The fact that his working as a super villain temp agency didn't really gel with his later revealed purpose didn't really matter.
Marv Wolfman was writing the New Teen Titans at the time, perhaps DC's hottest property, and he DEFINITELY had their hottest artist on the title... George Perez himself, so made crowd scenes REALLY crowded, but drawn in such a way that you could tell who EVERYONE was.

So we had cosmic scale drama, but as this was also a housekeeping exercise from DC, there were also some tragedies...
The deaths STUCK... (Well, for the most part, with that one big exception that came back a few years ago, but I've ranted on that one before...)


and lots and lots of crowd scenes...


Again, because of the scale of it, and the absence of instant info back in those days, it was genuinely hard to know what was going to happen at the end...

So it was flawed, BADLY flawed...and perhaps has a lot to answer for, but it's the one I remember best!
IMHO it translates as somwehere between "Desperate Marketing Ploy" and "We hope you believe that this one WILL have lasting consequences" with subtle tones of "We're also dragging in other titles to derail them completely for marginal returns, so tough luck if you're a fan of secondary titles".
Now they're not ALL bad, many have at least one good tie in, and "Necrosha" did bring Cypher back, but personally I haven't followed an "Event" with anything better than cautious distrust for about 20 years.
So picking one as my spotlight was a little tricky, and my mind kept going back to the beginning, and in some ways, the one that started it all...
In other words "Crisis on Infinite Earths"
Now, I don't personally agree that it was a GREAT event, I don't think that it was actually required to the extent that the DC higher ups thought it was. The separate Earths made sense in the context of their own stories

Now first thing to look at there is that who ISN'T front and centre on the cover... that's right, the Superman we see is the retired Earth-2 version, the Wonder Woman is the Earth-3 Superwoman and Batman is a tiny little figure at the edge... of the back cover.. The rest are a mix and match of heroes and villains from different dimensions (including ones we hadn't seen in DC before, like the Blue Beetle being there) and time periods. (Arion is the distant past, Dawnstar a millenium in the future) so in terms of sheer scale we could see, even pre-Internet, that this was likely going to be BIG.
And big it was... it had had a year long lead up thanks to cameos from "The Monitor" in any number of DC comics, again, set in multiple time periods too, the Monitor himself being first seen in the last issue of "The Losers", a comic set in WWII. The fact that his working as a super villain temp agency didn't really gel with his later revealed purpose didn't really matter.
Marv Wolfman was writing the New Teen Titans at the time, perhaps DC's hottest property, and he DEFINITELY had their hottest artist on the title... George Perez himself, so made crowd scenes REALLY crowded, but drawn in such a way that you could tell who EVERYONE was.

So we had cosmic scale drama, but as this was also a housekeeping exercise from DC, there were also some tragedies...
The deaths STUCK... (Well, for the most part, with that one big exception that came back a few years ago, but I've ranted on that one before...)


and lots and lots of crowd scenes...


Again, because of the scale of it, and the absence of instant info back in those days, it was genuinely hard to know what was going to happen at the end...

So it was flawed, BADLY flawed...and perhaps has a lot to answer for, but it's the one I remember best!
no subject
Date: 2014-12-21 06:45 pm (UTC)Also, WRT what you said about secondary titles above, I'm reminded of what John Rogers said when Blue Beetle (the original Jaime Reyes version) was cancelled: "Wow. It's almost as if basing your entire business model around a series of must-buy big event crossovers in a market with limited purchasing resources hurts your midlist."
no subject
Date: 2014-12-21 10:00 pm (UTC)To be fair, they usually do nowadays on the M side. Marvel's events tend to set a status quo that last for 1-2 years, and consequences to characters often last longer.
Though none can really compare to CoIE even to this day.
no subject
Date: 2014-12-21 10:54 pm (UTC)Since TPTB ignore their own canon more often than not, my headcanon is that pre-COIE still exists with multiple Earths. The rest are just Elseworlds or perhaps Imaginary Stories. ;)
no subject
Date: 2014-12-23 01:16 am (UTC)no subject
Date: 2014-12-23 04:32 pm (UTC)no subject
Date: 2014-12-23 04:53 pm (UTC)Well.... no, you can't really lay that at the feet of COIE, that was entirely Infinite Crisis.
In COIE, the Earth-2 Superman was reunited with his (thought lost) Lois and they and the entirely sane Superboy from Earth Prime were given passage into another dimension thanks to Alex Luthor's abilities (Whatever they were at that moment) with the clear indication that it was some sort of paradise.
It took IC to frell that up by revealing that Alex messed things up and took them to somewhere like Apokalips because he made the wrong choice just AFTER COIE ended.
no subject
Date: 2014-12-23 05:02 pm (UTC)no subject
Date: 2014-12-23 01:11 am (UTC)And it encouraged imitators, bizarrely.
no subject
Date: 2014-12-23 03:19 am (UTC)no subject
Date: 2014-12-23 06:40 am (UTC)The problems with it are metafictional in a way. COIE was a giant editorial shift away from parallel world stories, and from the old organization of DC's long history of titles into different arenas, such as there being a world where Superman dated to 1937, and one where he was set in the present day; and toward a single messy universe with lots of integration and supposedly lasting consequences.
It got a bit weird.