From what I have read, Ellis wrote this for the publisher of Avatar Comics who apparently LOOOOOOOOOOOOOOOOOOOOOOOOOOOOOVVVVVVVVVVVEEEEEEEEEEEEEEEEEESSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSS zombies and stories with them. And so you get this.
It isn't structurally bad. It's just that I don't see the point. If the entire world has been transformed into monsters, what stories are there to be told?
Nobody's immune. The gas is just lighter than air, disperses relatively quickly, and you can avoid infection by wearing a gas mask. It'd be down to who saw the cloud coming and could either get protection, get upwind, or get underground before it hit.
After that, the stuff expresses out in the blood, tears, and saliva of the infected, which is how Tyler got it at the end of the previous volume.
If it doesn't actually replicate itself, that should mean the epidemic is limited; at some point, each new infected won't be carrying enough of the stuff in their body to be infectious in turn. So humanity may not be doomed after all.
Yea, it's like... I've seen much worse horror comics, it just seems unambitious for Ellis. The twist is pretty much the one in Return of the Living Dead, isn't it?
The whole twist of the main character just giving up and getting mercy killed kinda made this stand out for me. Not stand out in a good way, but still.
Yeah, for me it's not that these kind of bleak stories are bad, it's that they're unmemorable. They don't really have strong characters you can really sink your teeth into, because everyone's doomed to die anyway, and you can tell everyones doomed to die. And the story isn't really making any sort of philosophical or thematic point so it's like whatever.
Avatar press in general is like this. It's a grimdark mill where, sure you can get mad at the exploitativeness of it all, but the vast majority of it is ultimately forgettable.
-Avatar press in general is like this. It's a grimdark mill where, sure you can get mad at the exploitativeness of it all, but the vast majority of it is ultimately forgettable.-
I find it kinda interesting that they put out Uber. I mean, with the gore level it actually makes sense, but it's such a different wavelength of comic in a lot of ways, being a genuinely good well-planned war story.
There's a trend in this era of Ellis's career, with stuff like this, Down, Mek, Red, and Two-Step, where the stories don't really end so much as they stop. It's there for the ride and then it's over; he's not in it to create a satisfying conclusion.
Inasmuch as Black Gas has a point, it's a bit of a zombie-film deconstruction that he did as a favor to a friend: the protagonists have zero combat training or applicable experience and they're utterly unable to cope with what they have to do to survive.
I always thought the preceding panel was the US and this was showing the cloud drifting around the world over time, Terrigen-style--but now that I look at it, the preceding panel was just Africa zoomed-in.
So, um, maybe it's still showing the cloud after it's drifted halfway round the world, and the final shock is supposed to be, "And there were zombies everywhere. Not even Mozambique was safe."
Because Avatar markets primarily to an audience of Mozambican horror comic aficionados, you know. A good Mozambique shout-out typically boosts sales anywhere from 0 to 0.1%!
So apparently the whole planet was hollow and full of this black gas stuff like a rotten egg, and dropping what looks to be one fairly small nuke cracked it open?
Basically the black gas is given off by some underground vent on the island near the city, and the bomb used to destroy the city was powerful enough to crack the vent open.
I think I preferred the first arc, since going citywide (or global) loses the intimate horror of two people trapped in a small place that the original had.
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Date: 2016-10-31 05:51 pm (UTC)All of the POV characters are dead and the world is a ruin inhabited by savage monsters who are us. Is this it?
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Date: 2016-10-31 06:02 pm (UTC)no subject
Date: 2016-10-31 06:06 pm (UTC)no subject
Date: 2016-10-31 07:32 pm (UTC)no subject
Date: 2016-11-01 08:34 pm (UTC)After that, the stuff expresses out in the blood, tears, and saliva of the infected, which is how Tyler got it at the end of the previous volume.
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Date: 2016-11-02 09:41 pm (UTC)no subject
Date: 2016-10-31 10:48 pm (UTC)no subject
Date: 2016-11-01 01:14 am (UTC)It's no Global Frequency, no.
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Date: 2016-11-01 01:24 am (UTC)no subject
Date: 2016-10-31 06:50 pm (UTC)Avatar press in general is like this. It's a grimdark mill where, sure you can get mad at the exploitativeness of it all, but the vast majority of it is ultimately forgettable.
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Date: 2016-10-31 08:54 pm (UTC)no subject
Date: 2016-10-31 10:50 pm (UTC)I find it kinda interesting that they put out Uber. I mean, with the gore level it actually makes sense, but it's such a different wavelength of comic in a lot of ways, being a genuinely good well-planned war story.
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Date: 2016-11-01 08:39 pm (UTC)Inasmuch as Black Gas has a point, it's a bit of a zombie-film deconstruction that he did as a favor to a friend: the protagonists have zero combat training or applicable experience and they're utterly unable to cope with what they have to do to survive.
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Date: 2016-10-31 06:33 pm (UTC)no subject
Date: 2016-10-31 07:31 pm (UTC)no subject
Date: 2016-10-31 10:50 pm (UTC)no subject
Date: 2016-11-01 12:00 am (UTC)It's just a poorly drawn North America.
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Date: 2016-11-01 01:00 am (UTC)no subject
Date: 2016-11-01 07:52 am (UTC)So, um, maybe it's still showing the cloud after it's drifted halfway round the world, and the final shock is supposed to be, "And there were zombies everywhere. Not even Mozambique was safe."
Because Avatar markets primarily to an audience of Mozambican horror comic aficionados, you know. A good Mozambique shout-out typically boosts sales anywhere from 0 to 0.1%!
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Date: 2016-11-01 02:45 pm (UTC)no subject
Date: 2016-10-31 08:56 pm (UTC)no subject
Date: 2016-11-01 08:35 pm (UTC)no subject
Date: 2016-10-31 09:24 pm (UTC)no subject
Date: 2016-11-01 11:04 am (UTC)