![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Since there were son many villains I liked, I decided to make a separate post on them.
When it comes to villains, I love the Chessmasters, The Magnificent Bastards, and villains who have a Psychotic edge and makes their insanity and psychotiness work for themwork for me unless they are treated as 'people' as well. I also love villains that sympathetic to a degree as long as writers don't forget that their innate goodness or sympathetic-ness does not excuse their villain-ous actions.
I don't really have much to say about my choices so here we go;
COMIC BOOKS
Poison Ivy


Greg Rucka's work with her along with Batman: The Animated Series and The Batman have greatly managed to humanize the character for me.
Catwoman

Penguin

I keed, keed.

Brubaker in his Batman run actually managed to tap into the Chessmaster and Magnificent Bastard potential that Penguin has.
Imagine someone like Greg Wiesman getting a hold of the character and is let loose.
Deadshot

Two Face


Riddler

MANGA
Light Yagami(Deathnote)

Mello (Deathnote)

The Major (Hellsing)

a Gentleman, it has been said, that I like war.
The Captain (Hellsing)

He's a Nazi-Captain/Werewolf, what more do you need?
Over the course of entire Hellsing series,The Captain has always been this mysterious guy who never spoke a word. It was this fact that generated interest in the character but never for once is he boring in the series. He is an example of how you can have an intriguing bad guy, who doesn't speak a word interesting without having to delve into his back story. You see a little of it every now and then but most of the time you are actually in awe of what the Captain can do when he decides it's time to fight.
When it comes to villains, I love the Chessmasters, The Magnificent Bastards, and villains who have a Psychotic edge and makes their insanity and psychotiness work for themwork for me unless they are treated as 'people' as well. I also love villains that sympathetic to a degree as long as writers don't forget that their innate goodness or sympathetic-ness does not excuse their villain-ous actions.
I don't really have much to say about my choices so here we go;
COMIC BOOKS
Poison Ivy


Greg Rucka's work with her along with Batman: The Animated Series and The Batman have greatly managed to humanize the character for me.
Catwoman

Penguin

I keed, keed.

Brubaker in his Batman run actually managed to tap into the Chessmaster and Magnificent Bastard potential that Penguin has.
Imagine someone like Greg Wiesman getting a hold of the character and is let loose.
Deadshot

Two Face


Riddler

MANGA
Light Yagami(Deathnote)

Mello (Deathnote)

The Major (Hellsing)

a Gentleman, it has been said, that I like war.
The Captain (Hellsing)

He's a Nazi-Captain/Werewolf, what more do you need?
Over the course of entire Hellsing series,The Captain has always been this mysterious guy who never spoke a word. It was this fact that generated interest in the character but never for once is he boring in the series. He is an example of how you can have an intriguing bad guy, who doesn't speak a word interesting without having to delve into his back story. You see a little of it every now and then but most of the time you are actually in awe of what the Captain can do when he decides it's time to fight.
no subject
Date: 2010-09-07 12:55 am (UTC)no subject
Date: 2010-09-07 12:59 am (UTC)There. Don't know how the other post got screwed up.