Jem and the Holograms first issue.
Mar. 26th, 2015 12:31 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
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The first issue of Jem and the Holograms came out today. Here are four pages from it:

Jerrica Benton and her band are recording a video for a contest for aspiring bands, but Jerrica can only sing when there is no audience present at all. Even the handful of recording technicians present are too much for her. In frustration, she flees the studio.

Kimber tries to persuade Jerrica to try again, the band gets into a fight, and Jerrica goes home. Once there, she makes an incredible discovery.

Her father left her the hologram-projecting supercomputer Synergy. Pretty soon Jerrica shares this amazing secret with the rest of the band.

And so Jerrica realizes that she can defeat her crippling stage-fright by adopting an new identity, that of Jem. As long as no one knows who she really is or can see the real her, she can sing in public.
Personally, I am not a fan of this interpretation of the character. It seems so at odds with the character from the original eighties cartoon. That Jerrica was nothing if not supremely self-confident. She had no real doubt that she could simultaneously front a rock band and run her own record label and run her charitable foundation. She needed to become Jem not as a confidence boost, but because she was worried that no one would take her seriously as a businesswoman if she were also fronting a glam-rock group. There, the purpose of the Jem persona was to fool others. Now the purpose seems to be to fool herself. I don't like this interpretation.
Oh, and, since I can't add any tags, the writer is Kelly Thompson, with Ross Campbell on art. Published by IDW.

Jerrica Benton and her band are recording a video for a contest for aspiring bands, but Jerrica can only sing when there is no audience present at all. Even the handful of recording technicians present are too much for her. In frustration, she flees the studio.

Kimber tries to persuade Jerrica to try again, the band gets into a fight, and Jerrica goes home. Once there, she makes an incredible discovery.

Her father left her the hologram-projecting supercomputer Synergy. Pretty soon Jerrica shares this amazing secret with the rest of the band.

And so Jerrica realizes that she can defeat her crippling stage-fright by adopting an new identity, that of Jem. As long as no one knows who she really is or can see the real her, she can sing in public.
Personally, I am not a fan of this interpretation of the character. It seems so at odds with the character from the original eighties cartoon. That Jerrica was nothing if not supremely self-confident. She had no real doubt that she could simultaneously front a rock band and run her own record label and run her charitable foundation. She needed to become Jem not as a confidence boost, but because she was worried that no one would take her seriously as a businesswoman if she were also fronting a glam-rock group. There, the purpose of the Jem persona was to fool others. Now the purpose seems to be to fool herself. I don't like this interpretation.
Oh, and, since I can't add any tags, the writer is Kelly Thompson, with Ross Campbell on art. Published by IDW.
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Date: 2015-03-26 04:41 am (UTC)So colorful!
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Date: 2015-03-26 11:30 am (UTC)It doesn't excuse her actions, but it makes them understandable.
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Date: 2015-03-26 09:47 pm (UTC)And I just heard about Sophie Campbell coming out as trans just today; I've admired her work since Wet Moon and The Abandoned.