What I hope people take from it is that you can tell slightly more low-key adventures. I think it becomes an arms race that’s unwinnable to continue to keep topping everyone’s world-ending scenario. It can be fun, but I think we’ve all done it for so long now that it becomes yet another trope. So the idea was to just take it back to the everyday. And you don’t have to worry about the end of the universe, you just have to worry about telling a decent story. You know, having some good characters and things that get raised and then resolved. And little subplots. It seems to make it easier, and I think it also makes it more universal, storytelling-wise, when it’s not about gigantic crises. It’s about stories we understand but are not necessarily on an epic scale. -- Grant Morrison

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Date: 2019-04-03 10:17 pm (UTC)Also Liam Sharp's art is gorgeous.
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Date: 2019-04-05 02:47 am (UTC)no subject
Date: 2019-04-05 04:15 am (UTC)no subject
Date: 2019-04-05 10:58 pm (UTC)His style reminds me of a bunch of artists. One part BWS, one part Frazetta, one part Totleben.
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Date: 2019-04-04 11:41 am (UTC)This is the series where the Earth was stolen, shrunken, and sold to a Christian God impersonator who gave humanity superpowers. That was a single issue. Conversely, Grant Morrison once got eight issues out of a diabetic kid going downstairs for a soda.
Then again, Morrison probably has a very different definition of "everyday".
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Date: 2019-04-04 12:32 pm (UTC)no subject
Date: 2019-04-06 05:58 am (UTC)