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[personal profile] laughing_tree


He’s died, he’s come back to life, he’s been the Spectre. He’s seen everything. So, I think one of the important things is that he’s not traumatized. Right now, there’s a vogue for sort of post-traumatic superheroes, but I just think that is not Hal Jordan. This is a guy that does not need therapy. He’s so far beyond therapy. It ain’t going to work. This is a guy who’s super directed. He gets the job done. He’s really good at what he does. -- Grant Morrison

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[personal profile] laughing_tree


One of the things I love about the DC Universe is that they do have this history and they do have this depth and span and scope in the outline of human life. It’s kind of like environmental art. You’re going into a place. I love the fact that there are thousands of alien races out there that have maybe been seen in one issue of WORLD’S FINEST in 1970, or some bunch of characters that have only ever been seen in some 1990s comic book, and consolidating all that to say, "Oh, that happened and they’re all still here, and they all still have their own agendas, and they’re all out working and doing things in the universe," and we get to suddenly see them. -- Grant Morrison

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[personal profile] starwolf_oakley
GREEN LANTERN EMERALD DAWN #1 was the start of the origin for the Post-Crisis Hal Jordan. It had Hal serving 90 days on a drunk driving charge, and also established a lot of the "Hal Jordan: Screw-up!" characterization that was very common for a while. Still is, in some ways.

Story by Jim Owsley, Gerard Jones and Keith Giffen. Art by MD Bright.

For Marty's sake )
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[personal profile] laughing_tree


Instead of the big, epic, 12-part stories, we’re focusing down on the everyday life of a space cop. Basically, it’s no more apocalypse-ending storylines. The basic concept is that [Hal Jordan] is like a space cop that patrols a sector of the universe where anything can happen. We’ve made it more like a police procedural. -- Grant Morrison

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[personal profile] zapbiffpow


We accidentally blackballed this issue before covering the Batman/Green Lanterns arc, so let's go into it now as an example of how Jessica Cruz and Simon Baz could work, TV-wise.
 
Plus, what color is an anxiety Lantern? Check it!

Words: Sam Humphries
Art: Miguel Mendonca
 
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[personal profile] lamashtar
 photo green lantern 24_zpsx4pxabgr.jpg

"It is, therefore, not inconceivable that this planet was in fact Mogo, becoming a Green Lantern after meeting Hal. When asked about the origins of creating Mogo, and if the two character planets could be one and the same, artist Dave Gibbons stated that he was certainly aware of the 1963 story, but did not recall it being an influence back when he co-created Mogo with Alan Moore in May 1985 (GL V2 #188)." Green Lantern History: An Unauthorized Guide to DCU History by Darran Jordan


Tumblr insisted that pairing Hal Jordan and a planet like Mogo was ridiculous. Ha! Ha! Ha!

Challenge accepted.

Read more... )
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[personal profile] zapbiffpow


This arc's Big Bad gets a sweetass ride along with his sick-ass promotion...also, a plot hole that should've been a plot twist. 6 pages from #10, 4 from #11, wordsing by Robert Venditti and artsing by Ed Benes.

Plus, Green Lantern Heaven. Check it!
Roses are green, violets are green, everything is green )
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[personal profile] zapbiffpow

Wotcher, folks! Hope your holidays went well!

Anyway, Green Lanterns presents a confrontationally admissive, but thankfully uncondemning story about mothers, sons, and the often-complicated emotional dynamics between them. Check it!

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