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[personal profile] ozaline
Two pages from Mike Ploog's Life and Adventures of Santa Claus (which has, earlier in the book, Santa Claus in a sword fight, which was not in the original Baum book).

Claus is nearing the end of his mortal life and a guest has arrived

Read more... )
skjam: Ghost cat in a fez (fez)
[personal profile] skjam
I promised Steve Gerber, and by golly, I'm delivering. Mr. Gerber did a number of oddball titles for Marvel in the 1970s, including The Man-Thing.



Like the Swamp Thing, created almost simultaneously over at DC, Man-Thing was originally a scientist, Ted Sallis. He was working on recreating the Super-Soldier serum that created Captain America when there was an explosion and he was flung into the Florida swamp. There, the chemicals reacted with the mysterious forces in the Swamp (the Nexus of Reality) to create a muck-monster out of Sallis's body.

Unlike Swamp Thing, Man-Thing did not have access to Ted Sallis' memories most of the time. It shambled about mindlessly, drawn or repelled by human emotions. In particular, fear annoyed Man-Thing, and it would attack the source of that emotion. And "Whatsoever knows fear...burns at the Man-Thing's touch!"

Given this, Man-Thing is usually less of a protagonist, and more of a force of nature that other characters who the story is actually about interact with. This story is not an exception.

Six pages of 18 from #9, five of 17 from #10 )

Your thoughts and comments?
SKJAM!
causticlad: Matter-Eater Lad doing his cracky thing (Default)
[personal profile] causticlad


Unlike the other comics I've been discussing, this one wasn't in my collection. But I once owned a copy back when it came out in the bygone year of 1977. I'm pretty sure I didn't buy it for any particular reason, as my selection of comics was pretty limited in a city where English is a second-language. I think it just showed up at a local used book shop and I bought it with some of my allowance without cracking the cover. Like the other roughly 30 or 40 other Marvel and DC comics I owned at the time it got read literally to pieces and thrown out years ago.

But yesterday I came across another copy of it in a local junk shop and, remembering it, decided to buy it and re-read it. This goes against the general rule of never revisiting a childhood story as you'll almost always be disappointed. In this case it's not least because in the years since I've developed my own fantasy chops up to the point of writing and selling fantasy for role-playing game supplements and the like. I've got pretty high standards for the genre now. A fantasy hipster, that's me.

Much to my surprise Weirdworld's held up pretty well. Doug Moench's writing is derivative, but not in a bad way. Pay no attention to the cover blurb's invocation of Lord of the Rings, as rather it mixes equal parts Robert E. Howard with the more baroque stylings of, say, John Brunner or Clark Ashton Smith. I strongly suspect some Marvel editor was trying to ride the wave of the Tolkien craze, which is sad because it was largely confined to the 1960s. Marvel's had an abysmal record of trying to jump on bandwagons just as they screeched to a halt, caught fire, and then fell into the swamp -- see Dazzler, a couple years later, or Storm's tragic attempts at punky leather. I can nitpick the names Moench gives his characters, but the infliction of bad fantasy names is endemic so I'm inclined to forgive it if the rest holds together.

The art, by Mike Ploog and Alex NiƱo, is above-par for the era, and Glynis Wein's colours are stunning for 1977. Compare and contrast with the ham-handed work in my post of Matt Wagner's Demon.

Eleven pages of thirty-one (is that OK, mods? The rules didn't say how to handle fractions, so I rounded up) now follow...

Weirdworld is weird. So it's fortunate they named it that. )

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