Thanks a Heap, Ceres!
Aug. 19th, 2009 09:20 pm![[identity profile]](https://www.dreamwidth.org/img/silk/identity/openid.png)
Here's a sample of the Heap from a late 1940s issue of AIRBOY. The character started in the Skywolf strip but proved popular enough to get his own back-up and even took over the covers a few times. Obviously inspired by Theodore Sturgeon's great 1940 story "It" in UNKNOWN, the Heap was himself echoed a quarter-century later in Marvel's Man-Thing and DC's Swamp Thing. By this point, the half-alive walking pile of moss and muck surrounding the corpse of a WWI German ace has come under the guidance of the goddess Ceres. It's great to see such an overlooked Olympian get some time onstage. Naturally, storytellers over the ages have gone for the more flamboyant and glamorous of the gods and goddesses (sex and violence always sell), but Ceres deserved her place in the pantheon. After all, if she chose, she could see that the other Olympians would have no worshippers.

Wellll, the writer didn't know much about octopuses if he thought they only had one vulnerable spot. They're not exactly armored. And Ceres is seriously deluding herself with this talk about how no one has to fear the Heap because he means no harm, etc. This is the same creature that used to drink blood and which left a trail of broken corpses all over Europe in its rampages. Maybe she means that now, under her control, the monster can survive as a vegetarian but he sure wasn't always that way. (The art is by reliably good Dan Barry, I don't know the writer.)
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Wellll, the writer didn't know much about octopuses if he thought they only had one vulnerable spot. They're not exactly armored. And Ceres is seriously deluding herself with this talk about how no one has to fear the Heap because he means no harm, etc. This is the same creature that used to drink blood and which left a trail of broken corpses all over Europe in its rampages. Maybe she means that now, under her control, the monster can survive as a vegetarian but he sure wasn't always that way. (The art is by reliably good Dan Barry, I don't know the writer.)