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mightygodkingHello, scan-kateers. (Dailyites? Scandies? What is the appropriate portmanteau-ized noun? Has there been a vote? Somebody needs to get on that.) It's been a very long while since I posted anything to s_d, mostly because I got banned from Livejournal long before s_d did. But I have something for you all today!
See, since I went off and did my own blog where I can write all the poems about unicorns that I like, I've had the opportunity to start working with artists who are phenomenally talented and who frankly will probably soon get hired away from me to work at a Real Comics Company where they pay you in money rather than compliments. This in turn meant that I am now able to create actual comics which people can read and everything.
The first of these projects to reach something resembling fruition is Al'Rashad: City of Myths, which is set in a fantasy world, of sorts, and that's all you get to know for now about the story. The reason you should read this comic, other than that I wrote it and therefore it is a timeless classic, is that Davinder Brar, my collaborator and artist, is basically right now where someone like Jamie McKelvie was five or six years ago: ridiculously talented and working under the radar until such time as Marvel or DC come along and make him King Shit of Fuck Mountain. (If Jamie McKelvie doesn't have that in his job title he should.)
And how ridiculously talented is he?
( this is how )
See, since I went off and did my own blog where I can write all the poems about unicorns that I like, I've had the opportunity to start working with artists who are phenomenally talented and who frankly will probably soon get hired away from me to work at a Real Comics Company where they pay you in money rather than compliments. This in turn meant that I am now able to create actual comics which people can read and everything.
The first of these projects to reach something resembling fruition is Al'Rashad: City of Myths, which is set in a fantasy world, of sorts, and that's all you get to know for now about the story. The reason you should read this comic, other than that I wrote it and therefore it is a timeless classic, is that Davinder Brar, my collaborator and artist, is basically right now where someone like Jamie McKelvie was five or six years ago: ridiculously talented and working under the radar until such time as Marvel or DC come along and make him King Shit of Fuck Mountain. (If Jamie McKelvie doesn't have that in his job title he should.)
And how ridiculously talented is he?
( this is how )
