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"I like treating these characters as the stars of their own vignettes. I see the book as these little glimpses into all of their lives, their personal stories, and the complication of their lives is what seems to keep them apart or drive them apart most of the time." -- Gerard Way

Scans under the cut... )

As a heads up Dark Horse via Comixology is having both a sale for 'Umbrella Academy' as well as a standard 50% off sale for Valentines' Day. The latter works on the former so if you check out the sale here and use the DH50 code before tomorrow you will be able to get most of the series for 75% off. 
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"I had never planned on bringing the 'children' to America, but this time that's exactly where they needed to be, because they needed a harsh dose of both fantasy and reality, and there's no better place to get your fix than the good old USA." -- Gerard Way

Scans under the cut... )
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"The UA universe is a culmination of everything that ever affected me, from Fritz Lang films, to my father taking me to wrestling matches as a boy. I spent two years developing the origin and the world, only to blow it out in the first five pages…this was intentional—it provided me with a really experimental playground, a very open world. A serious amount of thought went into the aesthetic, and lots of drawings, lots of notes. I really wanted to see what heroes would be in a different world." -- Gerard Way

Scans under the cut... )
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I had a big think about this in the summer, but recently, I've been thinking about how comic books attract new readers and how welcoming they are. There's an old saying about how "every comic is somebody's first" and comics have to have a go at making it possible for new readers to pick up any book, even if its midstream. There's a lot of advertised "jumping on points" and Marvel's .1 initiative has been a pretty uneven way of their characters, concepts and stories.

In superhero movies, there's always a desire to do an origin story as a way to make the story accessible to new readers. This always frustrates me, especially since Colleen Coover's told the definitive Spider-man story in one panel and six words and Batman's isn't much more than "My parents are deeeeead." We don't need to see James Bond start his military training and changing to HMSS to know that he's a badass, so why have we got to see Green Lantern get his ring? Why can't we just see him be a space cop?

DC's relaunch has made a big deal about being new reader friendly and has by and large jumped into stories. Apart from Supergirl, I'm not aware of any origins being retold, which is nice.



The story recap )

The concept recap )

The character recap )

The novel recap )

Are comic books really less new-reader friendly than other media? I know that it doesn't take much to pick up a movie and watch it, and that sequels rarely do recaps (though the credits sequence in Incredible Hulk was pretty bloody good). What about for TV? Is it easier to jump into a TV series midstream (and not just soaps, but one with an ongoing narrative like The Shield or Fringe) than it is to jump into an ongoing comics series?
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I posted a little clip from the FCBD of Umbrella Academy a few weeks ago and since then I've had the chance to read Dallas, the second collection of the series.

It's pretty good, with some interesting ideas (and some repeated ones). I kind of want to sit down and just read through both series in one go to get the full feel of the book, instead of dipping in and out over the course of a few weeks.

For the uninitiated, the Umbrella Academy are the result of mysterious births. 7 of them were adopted by the Monocle/Sir Reginald Hargreeves, 6 of them had super powers. He assembled them into a superhero team.

We begin pretty quickly, with the child Umbrella Academy against the Lincoln Monument. )

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