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Is there anything you can tease about Roberto Da Costa's future?
- Riley

I'm going to walk a bit of a tightrope here because I don't want to announce things that are still very much in the planning stage, but there's some room coming up for a closer examination of Roberto, and that's something I'm interested in exploring. We'll see what comes of that.
-- Al Ewing

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When writing Storm, what is the most important characteristic you strive to convey?

-Alex


Al Ewing: Strength of character, I think. A core understanding of what is right and wrong [and] certain unassailable standards she sets for herself. She questions herself but always against that core framework. Is she living up to who she should be? If we take that further, one of those core tenets is that she will not accept for others things that would be unacceptable for herself -- like being ruled, exploited, [or] boxed in. So I keep that steel core in her in mind as I'm writing - it was a relief in some ways to write #11 and give her a few pages to actually relax and be happy without the world crashing down.
-- CBR interview

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"He's been through a lot, and the voices of people like Emma Frost don't have harsher words to say to him than the ones in his head. He's found himself wanting in a number of ways. There's a question of... Has Krakoa let him down? Or has he let down the dream of Krakoa by not believing enough? Or too much? Maybe he doesn't know himself."
-- Al Ewing

Storm: The dream was good, is good. Only the dreamer has become corrupted.
Magneto: It is too late to change, Ororo. I am too old, I have lived too long with hatred.
Storm: So be it, Magneto. The choice is yours.
-- X-Men #150, "I, Magneto"

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"What does strength mean? That's one of the questions we're asking. So far we've kind of seen the Arakki from only one side, through some unreliable narrators – for example, it's really interesting that Isca's become the mouthpiece for Arakko, given that she fought for Amenth and Annihilation from the start of the war right up until X of Swords. So my starting point with Arakko was that there had to be a little more to them than we'd been shown. They're an alien society, shaped by thousands of years of war and by the laws of Apocalypse's wife, Genesis – she was a heavy influence on their culture, which, given that she seemed to be a more stringent version of Apocalypse when they met up, probably isn't great. But then again, after she led the Arakki for millennia, she turned against them under Annihilation's influence and condemned them to over a century of imprisonment and torture at the hands of people like Tarn The Uncaring, so there's probably a large proportion of the population who aren't so on board with her view of the world, especially the ones who were born in the prisons and never knew anything else. So Arakko's a more complicated place than it looks, and it's got a lot of history and a lot of pain – but one thing it doesn't pretend to be is a utopia. It's just a place, and people live there, and we're going to meet some of them."
-- Al Ewing

"When our days become dreary with low-hovering clouds and our nights become darker than a thousand midnights, we will know that we are living in the creative turmoil of a genuine civilization struggling to be born."
-- Martin Luther King Jr.

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Four pages of X-Men Red #6 have been released as a preview. I'm posting two and a half pages featuring my favorite part of the preview.

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"Uranos is the living embodiment of the world's worst grandparent, hammering on the ceiling, shouting "TURN IT DOWN! ALL MODERN MUSIC IS JUST NOISE!"

Though Uranos may be the other way around. He doesn't want tunes. He just wants white noise. He would have nodded appreciatively when Atari Teenage Riot used to encore with 45 minutes of static."

-- Kieron Gillen

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"When you realize that you’re spending more and more of your life just trying to prolong your life, there’s something wrong. Right? It should be about something."

Dr. Barbara Ehrenreich

"I think most people get that they're gonna die, but I don't think what most people get is that the fact that they're going to die is the most important thing that will ever happen to them. Humans are one of the few creatures that understand death, and understand -- live -- live their whole lives with the knowledge of their deaths. And so it's this conflict within us. We live in these shitty, decaying bodies, but we feel so special and we feel so important. So how do you reconcile those two things? It's hard to reconcile them, so you have to create, you have to transcend. You have to have religion, you have to have communities, you have to have art. Those are created by our -- our fear and our strange, difficult, weird relationship with death."

Caitlin Doughty

"Why, it is she that has got all Narnia under her thumb. It’s she that makes it always winter. Always winter and never Christmas; think of that!"

― 'The Lion, The Witch And The Wardrobe', C. S. Lewis
 

X-Men Red #4: In Which Al Ewing, Once Again, Thinks Seriously About Immortality )
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"Grief isn’t something you fix; it’s something you honour. There’s no flash sale, weekend retreat or quickly found solution. We often dream of a comeback from grieving, when the healthiest thing we can do is aim to come-through, by waking up every day and honouring our relationship with loss and how we feel in each moment that follows.” ― Addison Brasil



3 pages from House of M #1, 1 1/2 pages from X-Men Red #2

Charles Xavier: Bad At Grief Counselling; Also, Remembering )
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"Storm impressed herself on me for another reason when I first encountered the X-Men, way back in the UK reprints of the original Secret Wars -- because she regularly told Charles Xavier, the alleged head honcho of the X-Men, where exactly he could stick it. That's intriguing to me -- that she rises to challenges on that level, that her power isn't just automatically put in the service of the most imperious voice in the room. She questions things, questions herself. Honestly, I feel like once you answer the question of mutant power levels, putting her into a battle where that type of power is no longer very meaningful -- where it's political intrigue, not a slugfest -- is the best and most interesting way to challenge her."
-- Al Ewing

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