Aug. 4th, 2021

laughing_tree: (Seaworth)
[personal profile] laughing_tree


I'd read up on the whole Red She-Hulk arc, and I'd seen how that had fleshed Betty out, and informed her personality, but at the same time that all felt fairly safe, in a way. Going back to the original Harpy stories after that — it's the '70s, they haven't aged spectacularly, but at the same time, there's a weird power in there. This is all coming up directly from the mental basement of a bunch of hippies and ne'er-do-wells — Red She-Hulk feels slick, Hollywood, a spin-off of an established brand that's catching fire, while Harpy is... Harpy is a creature from a dream I would hesitate to tell a therapist about. So, getting back on point, I ended up combining the two with a view to getting back to the feeling of Harpy - something a bit more primal and interesting. And Joe, being Joe, took my somewhat mealy-mouthed direction of "Red She-Hulk with wings, claws, fangs and big bird feet" and gave me what I needed for the story, which is a Junji-Ito-esque horror from the very depths of the id. -- Al Ewing

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superboyprime: (Default)
[personal profile] superboyprime


"The first 12 issues are pretty carefully constructed to tell the biggest X-Men story we could conceive of. The X-Men are going to change the universe...again." - Gerry Duggan

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