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As Watchmen did for superheroes and Sandman did for horror, Love Everlasting will use the tropes of romance to explore the heart of humanity. -- Tom King
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When I began this series I mentioned that some comics will feature material impossible to publish in American market. Wrecked Hearts epitomizes this type of a story. This manga-style comic was created by two French author-artists and published by a Swedish publishing company. The comic contains two sci-fi romantic stories. In the first story 15 year old Fio is a girl living in a space colony on Callisto who lust over a cute boy she’s never spoken to and has a secret – she’s only half-human and has shapeshifting powers, which she decides to use to pursue her crush – as a boy. In Dark Energy, a cat-shaped robot journalist travels the galaxy to find interesting people to interview and write books about. This time he chose to interview Astree, a girl living in a greenhouse spaceship. Their meeting gets side tracked by sheaningans such as a planet being swallowed by a fissure in space, the ship turning into a refugee for sentient fart clouds, and other craziness among which Mikael falls in love with Astree.
Why a warning for such seemingly cute stories? There’s plenty of teen nudity and sexual fantasies, including a scene in which a character molests their sleeping love interest. In fact, the comic is opened by a scene of sexual harrassment dreamt by a character.24 pages out of circa 200.
Boyfriends is a series of sweet slice of life vignettes featuring scenes from the lives of a polycule of four boys known only the archetype/stereotype they represent: Goth, Jock, Nerd and Prep. The story focuses on the interpersonal relationships between the four boys and is rather light on plot. The art style is heavily inspired by the kawaii aesthetics of franchises like Hello Kitty or My Little Pony, making it stand out among BL series. Additionally, it's a very rare gay romance story featuring a trans man in a romance. The comic’s format is adapted for reading on smartphones, this may appear strange to readers unfamiliar with the format at first, but it’s something very intuitive to learn. The comic can be read on Webtoons. The website doesn’t allow the users to download the pages, so I’ll only share the promo image of the season finale. It perfectly showcases the art of the comic.
Crema is another example of my favourite genre, gothic romance. Esme is woman with the ability to see ghosts after drinking coffee whose only friend is the ghost of Gerry, a long deceased actress. To have an excuse to be constantly drinking coffee Esme became a barista, and during a work party she met Yara – a woman of striking resemblance to Gerry - who happens to be the owner of the caffee Esme works in. The two women are immediately attracted to each other, and quite surprisingly for the genre the complications come not from any dark past one of the women may have, but rather one extremely stubborn ghost who is hell-bent on having Esme do his biddings. 9 pages out of 100.
Libestrasse is a simple story, both in terms of plot and art, which doesn’t mean that it’s poor. The art of this independent comic reminds me of art deco, artistic movement popular in the years depicted in the story, while limiting the scope of storytelling to three major characters helps in making the narrative clear and straight-forward. While the story starts in 1952, majority of the comic is a flashback of the main character Sam, an American businessman who moved to Berlin in 1932. In the lively gay scene of the city he meets Philip and the two fall in love. However, the happiness of both the men and Philip’s sister, avantgarde painter Hilde, is short lived. The graphic novel amazingly portrays the atmosphere of hopelessness, knowing that the world you are used to is ephemeral, and that the situation can only go from bad to worse. The story has no happy end or hopeful resolution, with the ending being one of the bleakest ones I’ve seen in American comics. Nonetheless a highly recommended work. 12 pages out of circa 100.