Elektra #1

Feb. 22nd, 2017 09:43 pm
[personal profile] history79



"When I was brought onto this Elektra book, the biggest mandate I had was she can’t be in New York. She is running from the city and people in that city, so I thought, well, if a super rich assassin is trying to hide in plain sight, do it in the biggest and brightest city she can find. And since Vegas has not been thoroughly explored, especially by Elektra, it seemed the perfect new place for her to go. All those bright lights cast a lot of shadows, and that’s exactly where Elektra operates."

- Matt Owens


Warning for Abuse and possibly Rape


Read more... )
[personal profile] history79



FANGORIA: Do you think the Marshal is still relevant 25 years later, and are there any plans to put him back on the streets?

PAT MILLS: Probably more relevant now than back then, because we live in such a beaten down world today where there is little social change and idealism has been crushed. I’d love to see him back, but it feels problematic because Kevin’s on THE LEAGUE OF EXTRAORDINARY GENTLEMEN and I’m on other things. But I do need the outlet to attack heroes, so I do a bit of potshotting at them in DEFOE (Mills’ current 2000AD steampunk zombie series) where there are the 17th century Vizards, smug establishment superhero bastards who Defoe–the last Leveller–wants to kick their heads in. See, it’s still in me!


Warning for Rape


Read more... )

Jenifer

Jan. 31st, 2017 09:40 am
cyberghostface: (Right One 2)
[personal profile] cyberghostface


I posted this only a few months ago but in light of today's news with Berni Wrightson's health issues causing him to retire I figured I would share it again. 'Jenifer' is arguably one of Wrightson's most infamous horror works. It first appeared in Creepy #63. For those interested this was made into an episode of 'Masters of Horror' directed by Dario Argento. If I have the time and resources I may try to post further Wrightson comics in the future.

Warning for gore as well as a rape scene.

Story under the cut... )

User #3

Jan. 19th, 2017 02:42 pm
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[personal profile] mastermahan


“For me, the issue has never been sexuality — crushes and lust and love come easily enough, and I’ve never cared what anyone else thought of my choices whether they were critical of the personality or gender of my chosen partner — it’s moving through the world with a particular set of gender expectations applied to me that’s always made me uncomfortable,” Grayson said. “It’s not that I’m a tomboy — I have a lot of very traditionally feminine traits and behaviors, but I also have several that are classically ascribed to males, and finding a way to make the world accept any kind of range or fluidity in your nature seems astonishingly difficult." -Devin Grayson

Trigger warning for sexual abuse and misogyny.

16 of 48 after the cut.Read more... )

User #2

Jan. 17th, 2017 08:55 pm
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[personal profile] mastermahan


“At some point in my teens, my dad walked in on me kissing a girl on the living room couch, and he called me downstairs for a ‘private discussion’ and seemed very upset, though I honestly had no idea why. He asked if we were ‘practicing,’ and I laughed and said something obnoxious like, ‘No, Dad, we’ve pretty much got it down,’ and I watched him just deflate. He had no idea what to say or do, and I think even realized that he wasn’t totally sure why he was mad. A few hours later he interrupted us again to yell at me about putting the cheese away wrong –not wrapping it up properly– and he was way more upset than one would need to be over refrigerator cheese etiquette, but eventually I learned how to wrap cheese up properly and he learned that it was just as uncomfortable for him when I kissed boys, so he might as well stay out of the whole thing." - Devin Grayson

Trigger warning for sexual abuse, misogyny, and homophobia.

16 of 48 pages after the cut.

Read more... )
cyberghostface: (Right One 2)
[personal profile] cyberghostface


"If there were a war on Christmas, I would be the general advancing on it. It’s over-commercialized. I hate seeing decorations on November 1 and I hate Christmas jingles. I had to listen to a lot of Christmas music while I was working on NOS4A2 and I wasn’t too happy about it. I’m sure if you were going down to Hell in an elevator, the music playing would be the Alvin and the Chipmunks Christmas album and it would speed up the farther you plunged." -- Joe Hill

I posted this in two parts last year, thought it might make a nice comic for Christmas.

This comic is a companion and prequel to Joe Hill's novel NOS4A2, although you don't need to read one to understand the other. Trigger warning for child abuse/rape.

Scans under the cut... )

Jenifer

Oct. 31st, 2016 10:14 am
cyberghostface: (Right One)
[personal profile] cyberghostface


Here's a short story from Creepy #63. For those interested this was made into an episode of 'Masters of Horror' directed by Dario Argento.

Warning: There's some gory stuff here as well as what I think is an implied rape scene.

Story under the cut... )
cyberghostface: (Mr. Vengeance)
[personal profile] cyberghostface


In 2006 Wildstorm gained the rights to publish comics off of the various New Line Horror characters (Freddy, Jason and Leatherface). Previously they were published by Avatar and as you can expect they were little more than gore porn. Wildstorm's output was a mixed bag but they published some genuinely good stories (one of them was the comic where Jason befriends a deformed boy which you can see in the archives).

In my opinion the best comic published from them was the initial series from 'The Texas Chainsaw Massacre' written by Dan Abnett and Andy Lanning with Wesley Craig on art. It's one of the better horror comics I've read and it makes me genuinely sad that Abnett and Lanning never worked on any of the recent films because this would have been ten times better than the 'prequel' or the 3D movie that just came out.

As a content warning there's an included rape scene in addition to the usual gore and violence.

Scans under the cut... )
stubbleupdate: (Default)
[personal profile] stubbleupdate
The best way to describe Red One is "a sexy mess".

I tried to do a little summary for the premise, where the Cold War era Russians (but not the Cold War era Russians that we would recognise) send an agent to America (characterised by a schism between "family values", of homophobia and prudishness, and a free love agenda) to win a cultural war by becoming a superhero and cultural icon while also fighting with a hammer (which she throws at a bullet, stopping it) and sickle, and there was a porn film involved, and a "moral crusader" who was styled as an unkillable Amish called The Carpenter and, it takes place with SALT in the background and... it's nonsense.

But nonsense doesn't have to mean the same as bad.

But, it's secured the art team of the Dodsons, and that means that everybody looks lovely.

I've picked out a four page sequence from #4 where Red One decides to go out and be superheroic, like her handlers wanted (sort of. even that bit flip flops around).

tw for the beginning of a rape scene )

So, that's Red One being a bit too extreme and direct, and that's even before her very brief stint as a fluffer.
superboyprime: (Default)
[personal profile] superboyprime


"In my work for The Atlantic I have, for some time, been asking a particular question: Can a society part with, and triumph over, the very plunder that made it possible? In Black Panther there is a simpler question: Can a good man be a king, and would an advanced society tolerate a monarch?" - Ta-Nehisi Coates

Trigger Warning: Rape

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