Aug. 12th, 2016
Weavers #2
Aug. 12th, 2016 03:12 pm
'Super-heroes work gorgeously and entertainingly when kept in, y'know, super-hero universes. Recognisable but distinct, like I said (and yes, “the ancient past” does count). Start trying to impose the archetype upon our own inconveniently complicated, paranoid, connected and irrational world and there are really only two outcomes: one is that you wind-up telling grimhook de-constructivist stories about how kinky, simplistic, silly, impractical, tyrannical or venal the whole notion is. The alternative is that you start teaching a generation of young comicbook readers that we really do (or, worse, should) live in a tidy world where everything can be reduced to good-versus-bad. ... With Weavers I wanted to do something that changed the emphasis away from that tiresome old tension between exaggerated fiction and grim reality (“two tropes enter, one trope leaves”).' -- Si Spurrier
( Read more... )
It begins with Supergirl and Streaky facing down a tornado that threatens Stanhope.
They find themselves transported a mysterious world where they have different powers.

( The Mysterious Motr of Doov )
They find themselves transported a mysterious world where they have different powers.

( The Mysterious Motr of Doov )
CIVIL WAR II #4 had Carol Danvers open an empty briefcase. A preview of ULTIMATES #10 expands upon her showing that empty briefcase to the rest of the Ultimates.
( Two pages )
( Two pages )
They included the revolutions of the People and the Midnight Angels.
Those were proving complex and elusive in the seeking of their resolutions.
The Black Panther, having reacted to them, had begun to act against the People.
( He did so with resolution and consideration. )
Those were proving complex and elusive in the seeking of their resolutions.
The Black Panther, having reacted to them, had begun to act against the People.
( He did so with resolution and consideration. )



