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[personal profile] alliterator


"That's a fantasy of What if there was one perfect person who could come down and fix everything for us? And that's a dangerous fantasy, that's an anti-democratic fantasy. So in one sense, [One World Under Doom] is a story of a fascist leader trying to take things over, and succeeding in doing that. When you look at fascism as a political system, you have to see that it's sold on that seductive fantasy of Here's a guy who can fix everything. This man alone can do it. Doom sees himself in that way. He's the kind of guy who's like, 'Yes, OK, yes, that is fascism. But when I'm doing it, it's not fascism, it's the actual best guy doing it, so it's fine.'"
- Ryan North

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[personal profile] alliterator


If you could have any superpower, what would it be?

Immortality. Great for you, bad for the rest of society (as explored in the immortality chapter in How to Take Over the World)—but as long as it was non-medical and voluntary, I really think I could have some fun with it. And do some good too, I Guess.
-- Ryan North
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shakalooloo: (Default)
[personal profile] shakalooloo
Yes, yes, vampire crossover, whatever. It's a token tie-in at best here.




But hey, Ryan North does some interesting character stuff with Reed Richards!

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shakalooloo: (Webster)
[personal profile] shakalooloo
One panel from Fantastic Four #11 (LGY#704). The main story is a Ben Grimm caper that also features a dog and has a tribute to Judge Dredd, but let's look at this panel. Johnny Storm explains a sexy dream he just had. Weird phrasing, no? What's he hiding, I wonder?




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alliterator: (Default)
[personal profile] alliterator


"Really happy to see the response to the latest issue. Thanks everyone for checking it out! I said in my initial pitch for the series that 'the Fantastic Four can do anything' and I'm pleased to see that includes spooky space monster stories 🔥🪨🔵🫥"
-- Ryan North

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[personal profile] cyberghostface


"Doctor Doom’s Tumblr is clearly full of reblogs with his self-aggrandizing additions in the tags, and he’s probably got a macro to type out '#FOOLS!!' because he uses it so often. He’s also always starting fights with strangers and secretly proud when a post he started gets a ton of notes because Doom conquers all." -- Ryan North

Scans under the cut... )
superboyprime: (Default)
[personal profile] superboyprime


'This is Marvel's contemporary Ben Grimm, "THIS MAN...THIS MONSTER" was a while ago now, he's married, rich, and well known, becoming the Thing isn't the burden it once was, he's a superhero, philanthropist, cosmic explorer. He has a history with all the greats, and it's fun to reference some big moments from the past. He's totally over Logan slicing off his face that time by the way... mostly.' - Steve Skroce

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shakalooloo: (Default)
[personal profile] shakalooloo
So, following on from the previous issue, the Fantastic Four must deal with some mirror bacteria that is antithetical to life. Also, the mystery behind Reed shaving his beard revealed! AND! Maria Hill continues her super-villain career of escalating problems out of control!




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thanekos: Seiga Kaku from Touhou 13, shadowed. (Default)
[personal profile] thanekos
It's a workmanlike tale of the Avengers and the Fantastic Four running up against a scheme of Kang the Conqueror's - and a scheme of Ravonna, the Conqueror's love-turned-enemy, against Kang.

As a sequence of events, it's a satisfactory read. As a comic, a thing that combines visual storytelling techniques with dialogue and plotting, it's a staid read.

There's clever panel layouts, enough to keep the reader's eyes moving in ways that aren't just " left-to-right " - but there's also dialogue that's nothing but expository and often superfluous, egregious even when taking into account " the writing's just trying to cover any potential misses in the art ".

The plotting extrapolates from " Kang is a Conqueror with time-travel at his disposal " with ingenuity that doesn't go beyond the surface - the idea of " Chronopolis, Kang's city-state base reflecting his temporal conquests, populated with actual citizens ", isn't rendered as anything other than the backdrop for fight scenes.

Likewise the Anachronauts, Kang's pan-temporal collection of minions introduced here. Their function in this story is to be a distinct band of henchmen, and they fulfill it. Their visual variety and leveraging of accumulated details of continuity helps sell the scope of Kang - but beyond that, there's just their fight scenes and the dialogue therein, and they aren't especially much.

They're introduced as the cliffhanger of Fantastic Four Annual #25's main story. )
alliterator: (Default)
[personal profile] alliterator


"Alicia is an artist. She's someone who cares about ideas and concepts and art and beauty and truth. Ben is much more grounded in dealing with the world: 'Truth and beauty are important, but what are we getting for dinner?' sort of thing. [...] He’s got a shyness to him under there. He's got a big, huge heart. Really wants to help people, really wants the best for everyone he meets. He's so sincere and almost guileless; he's not going to sugarcoat for you. He's not going to try to manipulate you to get what he wants. He's just going to tell you the truth as he sees it and do what he thinks is right."
-- Ryan North

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[personal profile] superboyprime


"I want to do these smaller, self-contained stories in the vein of '60s Star Trek where they go down to a planet, find a weird thing, fix the weird thing, and move on. Having these four weirdos roll into town where there's a mystery or a problem or some sci-fi thing, solve the problem, and then move on struck me as a very interesting way to position the Fantastic Four and tell stories that would feel fresh and not like a retread of what we've seen before." - Ryan North

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superboyprime: (Default)
[personal profile] superboyprime


'It honestly came as an approach in response to what Dan Slott had been doing. After he pulled off "The Reckoning War" after years and years of buildup and full multiversal implications, there was no way to go bigger. So instead, I went in the opposite direction: smaller, more personal stories about these four heroes who are just trying to get by and, hopefully, leaving the world a little better than they found it.' - Ryan North

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