iamrman: (Elma)
[personal profile] iamrman

Plot and pencils by George Perez, script by Len Wein.

Myndi Mayer wants in on that sweet, sweet Wonder Woman bandwagon and doesn’t care who stands in her way.

Read more... )

iamrman: (Anya)
[personal profile] iamrman

Plot and pencils by George Perez, script by Len Wein.

Diana and her friends do battle with Phobos and Deimos.

Read more... )

starwolf_oakley: Charlie Crews vs. Faucet (Default)
[personal profile] starwolf_oakley
For the "World of Wonder" theme, here is LEGENDS OF THE DC UNIVERSE #4 has the first part of a Wonder Woman story called "Moments." It takes place shortly after Diana has left Themyscira to become an ambassador.



Shag social worker? )
lego_joker: (Default)
[personal profile] lego_joker
Yes, I know it's been ages since World of Wondy was ever a thing, but to tell you all the truth, it was one of my favorite attractions on this site, and what eventually convinced me to give Perez's Wonder Woman run a second go-round after I gave up somewhere in the middle of Challenge of the Gods.

Having now read up to the first annual (according to some, the best Perez's run is ever going to get), my general thoughts are still kinda on the ehhh side. I know that this run was a godsend compared to what poor Diana had to deal with for the forty or so years after Marston's death, and Perez brought an endless fountain of Legitimately Cool Ideas to the table, but the execution struck me as ridiculously stuffy and dry compared to what Byrne's Superman and Miller's Batman were up to back then.

Until I hit issue #20. At which point I started bawling like a baby.

Okay, so I might be in something of a minority when I saw that I unabashedly love Myndi Mayer. The half-dozen people on the Internet who still remember she of the giant forehead generally have opinions ranging from apathy to outright dislike, which was probably Perez's intent from the start, but all I saw was the funnest member of the cast. She was kind of an asshole, yeah, but rarely (if ever) an asshole about being an asshole. And in a setting where all the other good guys are Mature, Responsible (And Very, Very Boring) Adults, that goes a long way toward making an impression.

And for the record - I knew her days were numbered long beforehand. Browsing covers on Comicvine will do that to ya, and Perez was not in the general vicinity of fucking around when he drew this one.

Cover for Wonder Woman #20 (1988)

I knew she was going to die. I even knew how she was going to die. And reading that issue was still like a kick to the teeth.

So here's something of a tribute to this most underrated part of Wondy's supporting cast, that you all might understand why I loved her so much. Or point and laugh. Either one.

Warning: blood, drugs, and lots of 80s-tastic fashions. )
[identity profile] ebailey140.insanejournal.com
Some highlights from one of my favorite JLU episodes, "Kid Stuff", in which Diana, Clark, Bruce, John... and Etrigan are tranformed into children, with Dakota Fanning voicing Diana.




And, the last three pages of Wonder Woman V2 #62, which ended the Perez run. The War of the Gods is over, though not everyone survived. Perez's final issue was about the characters closing chapters of their lives and beginning new ones, including the Amazons, Steve, Etta, and Ed, with Diana trying to figure out what she should do, next. Nessie, meanwhile, is graduating Junior High, and we conclude with a little meta and Fourth Wall breaking.

Read more... )
[identity profile] ebailey140.insanejournal.com
Dr. Psycho was introduced in the Golden Age, and quickly became one of Wonder Woman's main foes. When George Perez revamped WW following Crisis of Infinite Earths, it was natural that he'd bring back, and revamp, Dr. Psycho, as he'd done with the Cheetah, Ares, the Silver Swan, and Circe.

Perez didn't rush into it, though. Dr. Psycho was re-introduced towards the end of Perez's run. But, as this was, really, a five year epic story, Dr. Psycho entered the stage when it was time for him to play his role.

And, that role would be nightmarish. Literally. This would establish him as one of the most twisted and evil of DC's villains. But, what's truly important is how Diana responds, how she deals with this threat. It's often said that heroes are, in part, defined by their villains. The villain represents what the hero must overcome in their struggles, what makes them heroes. Also, Diana, as she often does during Perez's run, demonstrates that she has other ways of dealing with evil than simply beating it up.



Read more... )
[identity profile] bluefall.insanejournal.com
This next is not actually a story about Diana herself, but rather a story about the people around her and the world she lives in. That's not uncommon in a general sense, but it's actually relatively rare with Diana - you just don't get stories about Themyscira or a day in the life of Philippus the way you get stories about Gotham or the investigative exploits of Lois Lane. So this, the story of tertiary cast member Lucy Spears, is a bit of a rare gem in that sense.

It's also a rare gem in many other senses, as you'll see once you click the cut.



This was originally a Manly Tears Week entry. Just a warning. )

Next time: More trouble from the spawn of Ares, and men walk on Themysciran shores, which isn't the catastrophe it would have been pre-Crisis but still manages to spell more trouble than it initially seems worth.
[identity profile] bluefall.insanejournal.com
Alright, both by request and because I myself feel something at a loss with it gone, here commences the repost of my When Wondy was Awesome series from our LJ incarnation.

We'll begin, as is proper, at the beginning - the origin of the character as she is now. The concept of Wonder Woman, of course, is one of the oldest in Big Two comics, as she was first created by Marston back in 1941. However, once the Golden Age ended and the character passed into other hands, she became something of an albatross to the company - they were under contract to keep publishing her, but they didn't really know what to do with her, and her title quickly devolved into a miserable sexist mess from which it never entirely recovered.

Thus, with Crisis on Infinite Earths, Editorial completely erased Wonder Woman from past continuity, deciding she would enter the DCU for the first time in the late 80s - allowing them to start over and try to really do her justice. After a long (and terrifying to read about for fear of what might have been) process, they finally found a team that they thought could both create a new and viable character, and preserve the essence of the one who came before; thus Diana passed into the hands of Greg Potter and the now-definitive George Perez.



And hot damn was that a good call. )

Next time: The nonsensical American flag bathing suit is made to make some small sliver of sense, we learn what kind of person inspires an amazon and why we should care about Steve Trevor, and Diana kills a hecatoncheries, as we tackle the second, less prominent but no less awesome half of Wonder Woman's origin.

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