iamrman: (Sindr)
[personal profile] iamrman

Writer: Jack Kirby

Pencils: Jack Kirby

Inks: Mike Royer


Jack Kirby might not have particularly cared for horror comics, but he still managed to create a banger.


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iamrman: (Rahne and Cap)
[personal profile] iamrman

That bit at the end of the previous issue was a lie. Jack Russell spends most of this issue tied to a table and has hardly any impact on events.

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iamrman: (Rahne and Cap)
[personal profile] iamrman

Spider-Woman fights a villain that doesn’t know how to spell his own name.

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shakalooloo: (Slaine)
[personal profile] shakalooloo
With various interpretations of King Arthur being featured here recently, why not go back to 1996-7, when 2000ad's resident barbarian warrior, Sláine, got involved with the legend? A more sympathetic take, from writer Pat Mills and artist Dermot Power...

(apostrophes better applied in-panel than on that back cover!)
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[identity profile] pyrotwilight.insanejournal.com
Originally I was thinking not to post from these issues since they're Tomorrow Woman-less but since she's not the only reason I like it I thought, why not? Troika and Anti Matter fun under the cut!



[identity profile] ebailey140.insanejournal.com
Some highlights from one of my favorite JLU episodes, "Kid Stuff", in which Diana, Clark, Bruce, John... and Etrigan are tranformed into children, with Dakota Fanning voicing Diana.




And, the last three pages of Wonder Woman V2 #62, which ended the Perez run. The War of the Gods is over, though not everyone survived. Perez's final issue was about the characters closing chapters of their lives and beginning new ones, including the Amazons, Steve, Etta, and Ed, with Diana trying to figure out what she should do, next. Nessie, meanwhile, is graduating Junior High, and we conclude with a little meta and Fourth Wall breaking.

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[identity profile] bluefall.insanejournal.com
Time for another author switch! We've left WML behind with the 100-issue spectacular and the death of Artemis, and now Diana's out of the stupid black straptastic bra and out of Boston, and into the hands of John Byrne.

Byrne's run is... hard to pin down. The man wrote with an agenda; there were things he wanted to fix and things he wanted to change and that's what he did. And a lot of those things were good. He repaired most of the damage WML did toward the end of his run, both to Diana and, to some degree, to Polly. He built an actual Wonder Family out of Donna and Cassie and Artemis. He made a point of making Diana unique and ridiculously first-tier badass, firmly establishing how high she belonged in the DCU power hierarchy.



Diana really attracts a lot of writers who do their own art, doesn't she? )

Next time: Diana teams up with Zauriel, has a romance with a guy who, miracle of miracles, is actually worth her time, and saves all of creation. And the art is wicked cool.

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