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The second half of Bill Willingham's run involves a short arc about the JSA taking on Mordru, followed by one of those Days of Future Past type things where Nazis have taken over the future, so the surviving heroes have to use time travel to undo the lousy future. Nothing wrong with that, theoretically, but

1. The arc just kinda seems to wallow in the awfulness of this Nazi future. Concentration camps and whatnot. Which is par for the course for this kind of story, but I feel it should be leavened somewhat. This is entertainment, after all. I think Bill's trying to do that with a subplot about Mr. Terrific genuinely befriending his interrogator, but it's just not enough to me.

2. This stops being a 'JSA' story and becomes more of a 'DC universe' story, with cameos from just about every superhero ever. It feels elementary to me that this dystopian future arc would be a good chance to show the younger JSAers in something like their prime, answer the question of how they would react to this situation, but instead we get a lot of Ollie and Bruce and Clark and so forth. Which, ironically, makes this story feel a lot more generic.

Anyway, here are some scans.

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So Geoff Johns is done and we're getting into the Bill Willingham run. Featuring Magog! Doesn't everyone love Magog!?

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Geoff Johns' final story arc involves Black Adam (but of course), then there's something of a fill-in arc by Jerry Ordway. The Black Adam stuff... eh, it's fine. It's following up on 52, and of course one of the problems with 52 is that if you're just going a read-through of, say, Renee Montoya, then it's a bit of a time-sink to have her involved in a 52 issue anthology sorta series. Adam's also been in Countdown, Final Crisis, multiple minis... at this point, I have to ask, is he really that popular or was DC just trying again and again to have symmetry with the Rock movie that was in development hell forever?

Okay, point is (thanks Wikipedia), Adam has loved and lost and is desperate to resurrect Isis. He's also killed millions of people at this point, which makes the odd kid gloves treatment he receives for having a code of honor or whatevs seem ridiculous. Yeah, Captain Nazi is a prick and all, but even he hasn't killed a percentage point of the global population.

Anyway, Adam is dealt with and the status quo of the Rock of Eternity changes yet again. Then Ordway's story, which is about a Japanese supervillain who wants to get revenge on the JSA for the bombing of Hiroshima, complete with g-g-g-g-ghosts! Yeah. It all feels a bit overwritten and wordy, clunky in a way that, say, I don't recall Ordway's work on Shazam being. Like the editors didn't bother too much getting it up to snuff because it was a nostalgia play. I don't know, it didn't work for me, it didn't not work for me, it was kinda just there.

Lastly, here's Johns' final issue, which eschews any superhero plotting to just be about the Society celebrating Courtney's birthday.

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The Thy Kingdom Come story arc continues on and as you might expect from countless TOS episodes, Gog turns out to be a 'god' whose drawbacks outweigh his positives, so he's summarily superhero-battled. All his miracles are undone, aside from Lance's transformation into Magog, and the toys are firmly put back in the box. Power Girl comes back from Earth-2 and everything.

I hold that this three-TPB arc probably could've wrapped up sooner, as Gog pretty self-evidently was going to turn out to be a rotter the whole time, but let's not get into pacing in superhero comics.

Kingdom Come Superman returns to his own world too, leaving me feeling it was all a bit pointless to give him a big adventure in-between panels of KC. It just feels to me that if he had days or weeks to process what he thought had happened with Captain Marvel, he wouldn't have been in the state he was in. But then, I don't hold KC to be such a sacred cow that I don't think an author can take a big swing on it. Just "oh, that's been around long enough that we're getting nostalgic riffs on it? Kay."

Which brings us to Magog.

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So the actual plot of Thy Kingdom Come--yeah, we're still on that story--involves Magog, the antihero in Kingdom Come who killed the Joker and kicked off the superhero Dark Age. He's running around, killing demigod-styled supervillains as false gods (weirdly he doesn't get to Maxie Zeus, who is the only god wannabe I can think of, but maybe he was already dead at the time). Kingdom Come Superman wants to stop him so he can't bring about the comparatively bad future of KC.

This gets a little complicated, but Magog turns out to be not THE Magog, but fighting him leads the JSA to Gog, a god of the Third World (those guys who preceded Apokolips and New Genesis). Gog wakes up, is kaiju-sized, and starts wandering around Africa, performing miracles and gathering a literal following.

(Amazing Man, who you'd think would be the most opinionated about all things African, has surprisingly little to say about all this.)



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Having finished with the massive crossover of The Lightning Saga, it's time for... another massive crossover, with Kingdom Come. The fact that it's with 1-2 characters from that story, and it's one of the most iconic stories the DC has, does make it a bit more tolerable. But here's where Johns really starts to get jiggy with the new kids.

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This is The Lightning Saga, a crossover with Brad Meltzer's Justice League that also involves the Legion of Superheroes. (Not the then-current reboot by Mark Waid, but rather the 'classic' version)

I found it... a bunch of sound and fury, signifying very little. There's a lot going on. Three separate superteams, time travel, amnesia, resurrection, sparring, random encounters, random encounters that are really illusions, and callbacks callbacks CALLBACKS!

But at the end of the day, it struck me as borderline incoherent, leaving me having a hard time being able to say what happened, what the characters were trying to accomplish, what was getting in their way, why they were trying to accomplish it in the way they went about it...

Spoilers for almost twenty year old comics now. )
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A reboot of the team post-Infinite Crisis, Justice Society of America has Geoff Johns still on as writer, but a new line-up after One Year Later. The first story arc left me a little cold. It's mostly a jumping-on point kinda storyline, getting the band back together and introducing the new kids that we'll be following on this incarnation of the team. The actual plot is... there are Nazis and they're killing people and the superheroes have to stop them. It's kinda thin. Might just be me, but when the villain with the most characterization is Captain Nazi and that's just because he's shown up in other comics that give him character development... Otherwise, they're just here to back Vandal Savage's play and commit awful atrocities against women and children, which of course they greatly enjoy because they're such bad people.

It makes for a bit of a tonal clash when you're introducing a bunch of fun new characters who are 'joining the family.'

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As you'll recall, the JSA split up to deal with both Extant and Kobra. While the Kobra mission went well, they came home to find Metron--who for the New God nobody likes, sure gets a lot of guest spots--telling them that the universe was about to be reset by an insane, power-hungry... ok, you know where this joke is going, fuck Dan Didio and let's move on.

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Time to return to the DC Universe, home of such farflung sci-fi concepts as time travel, alien life, and air travel that isn't entirely safe.

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As seen last time, Wildcat is armed with nothing but a towel when the Injustice Society breaks into JSA headquarters. But, as Douglas Adams always told us, you're pretty sorted as long as you've got a towel.

You fools, you're mooks and he's a palooka! A mook's natural predator! )
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I think something is about to happen to the hierarchy of power in the DC universe.

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One of the motivation-sapping things about posting scans for me is that, there are just so many issues that recapping each of them would just be a time-sink, especially when a given issue might not be too memorable or the whole thing might be part of a story arc that's really only worth discussing in the aggregate. So I thought I'd try discussing comics in swaths. From David Goyer and James Robinson, here's the JSA.

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Prior to the reboot, the regular folk of the DCU always seemed to have a close relationship with their superheroes. However, this combined with the DCU's almost universally awful rich people leads to things getting dark. Sometimes this results in jerks like the Black Hand, who consist of billionaires who playact as supervillains for fun. Other times... they get these guys...

He's like Daredevil but with a pet owl )

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