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Best idea I've heard all week: someone should write a novelization of LOST.
Just do the entire series in a single book. Perhaps like THE STAND, but even better edited to incorporate all the good stuff, cut out the dead weight, and revise things so that it all works better as a whole.
Because that's the inherent difficulty of writing for long-form serialized format, be it in TV or comics: no matter how well you plan it out, so many things can go wrong that can create plot holes, dropped threads, inconsistent characterization, etc. Maybe it can be avoided if it's all done by a single (extremely talented) writer, but it's damn well impossible with multiple writers.
That's why Greg Rucka's novelization of NO MAN'S LAND is largely superior to the original comics, both of which I've been rereading for the first time in years for these posts. He's able to iron out the kinks from the comics, even the ones he himself had originally written, while cutting out pointless subplots and letting other story elements breathe.
By and large, the actual stories of both are the same, with one major exception: the shared arcs of Jim Gordon, Renee Montoya, and Harvey Dent. Last post, it was the same, but with some added scenes of Harvey and Renee's interaction.
But starting here, the actual chain of events alters and their motivations deepen, turning what originally was a better-than-average crime/adventure story into something rather more complex and soul-searching.

( Very little actual Batman behind the cut )
Next week, the grand finale: Jim Gordon('s soul) on trial, with Two-Face as the prosecutor, Harvey Dent as the defense, and Renee Montoya stuck in the middle.
Just do the entire series in a single book. Perhaps like THE STAND, but even better edited to incorporate all the good stuff, cut out the dead weight, and revise things so that it all works better as a whole.
Because that's the inherent difficulty of writing for long-form serialized format, be it in TV or comics: no matter how well you plan it out, so many things can go wrong that can create plot holes, dropped threads, inconsistent characterization, etc. Maybe it can be avoided if it's all done by a single (extremely talented) writer, but it's damn well impossible with multiple writers.
That's why Greg Rucka's novelization of NO MAN'S LAND is largely superior to the original comics, both of which I've been rereading for the first time in years for these posts. He's able to iron out the kinks from the comics, even the ones he himself had originally written, while cutting out pointless subplots and letting other story elements breathe.
By and large, the actual stories of both are the same, with one major exception: the shared arcs of Jim Gordon, Renee Montoya, and Harvey Dent. Last post, it was the same, but with some added scenes of Harvey and Renee's interaction.
But starting here, the actual chain of events alters and their motivations deepen, turning what originally was a better-than-average crime/adventure story into something rather more complex and soul-searching.

( Very little actual Batman behind the cut )
Next week, the grand finale: Jim Gordon('s soul) on trial, with Two-Face as the prosecutor, Harvey Dent as the defense, and Renee Montoya stuck in the middle.