[personal profile] history79



"We find ourselves saying “It’s Mad Max meets Lord Of The Rings” or “The Walking Dead for the D&D crowd”. Seth and I were into a lot of the same stuff. We both read Stephen King’s Dark Tower books throughout our teenage years into adulthood. We grew up with that series. THE REALM draws inspiration from a lot of places and very much becomes its own thing along the way."

- Jeremy Haun

"For me I’d say that the biggest influences were Mad Max and Dungeons & Dragons. Along with that, there are a lot of other things that probably inspired me as well. I don’t read a ton of fantasy novels, but I love Joe Abercrombie’s work. His books are phenomenal, gritty fantasy with a very realistic tone."

- Seth Peck


Read more... )
[personal profile] history79



HOW TO LOVE COMICS: Finally, I read a report the other day that you were giving away limited edition condoms. Based on the concept of the series this sounds like an awesome idea. Where can people find them?

JEREMY HAUN: Yeah. We decided that it would be something different and fun.

I’ve done a couple of Kickstarter projects over the past couple of years. One of the things I enjoyed most was stepping outside of the box and thinking about promotion and marketing projects in different ways.

When we started talking about doing The Beauty again, the idea of doing condoms made perfect sense for us. It’s unique and eye catching, yet actually promotes being responsible at the same time. After talking about it a bit we ended up adding a old style STD informational pamphlet about both the book and the disease.
We originally planned on sending the condoms and pamphlets out to a few hundred comic shops, but once we pitched the idea to Image, they got excited about it and we decided to make them available for shops to order directly from Diamond at F.O.C. (final order cut-off).


Read more... )
stubbleupdate: (Default)
[personal profile] stubbleupdate
The other day, my memory was jogged to think of Top Cow's Pilot Season. As far as I can tell, only two winners were ever made into miniseries - Genius, which was not stunning, and Twilight Guardian. Genius took 6 years to make it from pilot to a mini series, and for that reason, I wasn't incredibly optimistic when my pick The Beauty won the 2011 Pilot Season

It's a police procedural... whose twist is established on the very first page, with a short info dump )
zapbiffpow: (Default)
[personal profile] zapbiffpow
In a world with no Justice League - in a Gotham without a Batman - hope still springs eternal.
 
Even if it comes from the unlikeliest of sources.
 
 
What measure is 'the good old days?' )
Oh, and Ray Fawkes co-wrote this issue! He doesn't have a tag yet, so I'll just credit him here.
 
Food for Thought: What are the pros and cons of DC having a theoretical Villains Year? One year of no heroes doing angsty gray-area stuff - just villain character development. If so, which villains deserve a ten-month, Black-Mirror style story arc?
benicio127: (Default)
[personal profile] benicio127
AKA the final issue of this mini-series and the issue where I was like omgomgomgomgomgomgomgomgomgomgomgomgomg

[personal profile] cuntfucius, [personal profile] levy and [personal profile] whitesycamore will be giddy about this.

Well, that was kinda hot. Also, holy Oedipal Complex Batman! )
thehefner: (Two-Face: FOREVER!!!)
[personal profile] thehefner
Two-Face: Year One was a mess.

I don't know any other way to describe the most recent retelling of Harvey's origin, released to coincide with the release of The Dark Knight. The odds were against it from the start, as the main problem with retelling origins is that you've got to interest people in reading a story they already know, or at least think they know.

They may have read it multiple times in flashbacks and expositions, or maybe they just have one specific version they adhere to as the definitive version. For me, the definitive Harvey story is Eye of the Beholder, by Andrew Helfer and Chris Sprouce. For most others, it's The Long Halloween, by Jeph Loeb and Tim Sale. Either way, TF:YO was met with opposition and apathy before it was even released, and in the years since, it's shown no signs of being embraced by fans nor creators nor canon any more than Michael Green's recent Joker origin Lovers and Madmen (BUNNY!) managed to escape the shadow of Alan Moore's Killing Joke.

This isn't to say there shouldn't be new attempts at retelling origins. When it comes to Harvey, if they held steadfast to the classic Golden Age origin (or even the tweaked Bronze Age origin), we never would have gotten Eye of the Beholder in the first place. The question is always "What's this new take going to bring to the old story?"

To its credit, TF:YO had a couple novel and intriguing aspects to bring to the table. Unfortunately, for a slew of reasons, the final story was problematic to say the least. Maybe that's why it was seemingly ignored upon release, getting virtually no coverage from comic sites/blogs (I don't recall seeing a single review), or maybe the truth is more depressing than that: maybe people just didn't care.

But while I certainly cared, I also found myself alternately annoyed and bored, particularly by the poor pacing and awkward misuse of flashbacks. It read like a movie hacked apart and frankensteined together by a bad editor.

So in the interest of a cohesive story, I've decided to try something a bit different with this Two-Face Tuesday, and present the story edited into chronological order. Thus today, I offer you Two-Face, Year One: The Hefner's Cut!






A different look at a different look at Harvey Dent, behind the cut )
thehefner: (Two-Face: FOREVER!!!)
[personal profile] thehefner
So seriously, what the hell has DC been doing with Two-Face for the past year and a half?

I ask because I wanted to review the final part of the first-ever Two-Face solo story wrapped up in Batman: Streets of Gotham, which came out today. But I realized that such a review was impossible without looking into the events that brought the character to this point, as written by Tony Daniel, Judd Winick, and Marc Andreyko, neither of whom seemed to read the other's stories and utterly ignored continuity when it came to Two-Face.

Has anyone else noticed this? Has anyone else been confused?

Let's take a blow-by-blow look at Two-Face over the past year and a half, and you let me know if this makes any sense, or if I'm missing out on some crucial detail somewhere along the way. Please, seriously, help me out here. I feel like no one else is even noticing these glaring inconsistencies.

And while I'm at it, I'd like to rant a bit about Andreyko's Manhunter co-feature from Streets of Gotham. Hope you don't mind.




How Harvey's been (mis?)used ever since the events of BATMAN R.I.P.... )

...

What?!

Is this all due to some editorial clusterfuck, ala Countdown, Death of the New Gods, and Final Crisis all contradicting one another in various ways? And unlike that clusterfuck, no one else seems to be noticing THIS clusterfuck!

And then there's the actual Two-Face solo story by Ivan Brandon, the one that just today wrapped up in Streets of Gotham. That one seems to be another clusterfuck for some reason, not to mention the story itself is frustrating in its own ways. But I'll address all that in my next post, when I tackle Two-Face: The Long Way Down heads-on. Hopefully no one else will post scans of it in the meantime.
kamino_neko: Tedd from El Goonish Shive. Drawn by Dan Shive, coloured by Kamino Neko. (Uuuh)
[personal profile] kamino_neko
In response to a request here (where the Nightwing panel has already been posted, but it was just easier to leave it in, than take it out), 4 panels from Detective Comics, 864, out this past Wednesday.

Go read the other thread first...it's more fun if you don't have all of the context. I'll wait. )

Tags: Creator: David Hine, Creator: Jeremy Haun, Character: Catwoman/Selina Kyle, Character: Robin/Nightwing/Dick Grayson, Character:Robin/Red Robin/Tim Drake, Character: Batman/Bruce Wayne

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