alicemacher: Lisa Winklemeyer from the webcomic Penny and Aggie, c2004-2011 G. Lagacé, T Campbell (Default)
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"I'll never forget standing in Totleben's studio [...] and getting my first look at the pages of art he was sculpting (yes, sculpting) for this story. [...] Metallic scraps shared space with pasted-down photos of machinery on a base of heavy illustration board, a crazy quilt of almost Gigeresque 'biomechanics' [...] At the center of each page was our beloved protagonist, composed of retouched photographs of a tiny model of the character that John and I had molded out of Super-Sculpy, various resins and actual bits of mold and vegetation. [...] It was stunning, and I'm sorry to say that as beautiful as the printed version is, it is but a pale shadow of what I saw and held that night. If only today's computer production techniques could resurrect what that original art embodied!"
-- Stephen Bissette, TPB introduction, 1988/2011

Trigger warning for rape, albeit of a somewhat abstract sort.

'The ghost was growing a body, a sentient tumor from the substance of my own.' )
alicemacher: Lisa Winklemeyer from the webcomic Penny and Aggie, c2004-2011 G. Lagacé, T Campbell (Default)
[personal profile] alicemacher



Stephen Bissette (with plotting assistance from Moore, Totleben and Veitch) guest-writes this issue which looks in on what Abby's been up to back on Earth.

'I can't find my father's head, Chester...' )
alicemacher: Lisa Winklemeyer from the webcomic Penny and Aggie, c2004-2011 G. Lagacé, T Campbell (Default)
[personal profile] alicemacher



"The trouble with America is it has a very Manichean attitude [...] and I suppose that's what I want to address at the end of 'American Gothic.' It's this attitude that there's good and evil, black and white. And there isn't. That's what 'American Gothic' is about."
-- Alan Moore, in conversation with Neil Gaiman, c. 1985

'Little thing, you are in me... and I have a very great need.' )
alicemacher: Lisa Winklemeyer from the webcomic Penny and Aggie, c2004-2011 G. Lagacé, T Campbell (Default)
[personal profile] alicemacher



"I wanted to suggest that the real curse isn't menstruation but rather men's attitude toward it, and by extension their attitude to women as a whole. I wanted to get across, without being heavy handed, that it is the way in which men see and treat women that can often crush and trample women's minds and personalities into such tortured and self-destructive shapes."
--Alan Moore, Letters page, Swamp Thing #46

"The Curse" was Moore's most controversial Swamp Thing story, in terms of both industry and reader reaction.

Warning for misogyny/sexism, body shaming, and suicide.

'Their anger, in darkness turning, unreleased, unspoken...' )
alicemacher: Lisa Winklemeyer from the webcomic Penny and Aggie, c2004-2011 G. Lagacé, T Campbell (Default)
[personal profile] alicemacher



"Swamp Thing 34 features no heroes and villains. No grand conflicts or costumed characters. For a superhero/monster comic from DC, available on the newsstand (as far as I know), it’s a radical issue. It’s basically the consummation of the love between Abby and Swamp Thing. It’s a sex scene, involving biological hallucinogenics. Abby takes a bite out of one of the tubers growing on the 'man' she loves, and Steve Bissette and John Totleben and colorist Tatjana Wood give us page after page of trippy collage-style imagery, as Abby and her man-monster commune on a higher plane. That was a comic published in [March] 1985, and it would still seem experimental today."
--Tim Callahan, "The Great Alan Moore Reread: Swamp Thing Part 2, Tor.com, 30 Jan. 2012

'Spring came, and everything in the world woke up...' )
alicemacher: Lisa Winklemeyer from the webcomic Penny and Aggie, c2004-2011 G. Lagacé, T Campbell (Default)
[personal profile] alicemacher



"I can still remember the feeling of shock with which I read 'Love and Death' [...] This was the first comic-book horror I had seen that actually horrified me; I became hooked, discovering with amazement that comics had the same capacity to disturb and unsettle that the best prose and film had. [...] 'Love and Death' also made comics history as, beginning with this issue, The Saga of the Swamp Thing became the first DC comic with newsstand distribution to go out on a monthly basis without the Comics Code Authority's seal of approval. [...] It is to DC's credit that, from this point on, rather than trying to tone down the title they chose to put it out without the Code's seal instead."
--Neil Gaiman, Introduction to Titan (UK) reprint ed., 1987

Warning for rape.

'From deep inside her, the Bad Thing starts to crawl toward the light... and she knows.' )

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