informationgeek: (lyra)
[personal profile] informationgeek
So... this is a thing that happened recently that's... rather unfortunate.

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superboyprime: (Sun)
[personal profile] superboyprime


"Over the years, various smart people have written about Superman as a metaphor for the Jewish immigrant or Asian American experience. I’ll take it a step further — everyone on the planet at some point feels that he or she doesn’t belong on the planet. We’re all outsiders and others. Acknowledging that experience while remaining totally committed to helping other people anyway is what makes Superman great — and what elevates the best Superman stories beyond vicarious fantasy toward something approaching the richness, tragedy and quiet humanity of heroic myth." - Greg Pak

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superboyprime: (Default)
[personal profile] superboyprime


'He is, as the saying goes, “among them but not of them,” and that can’t help but to create a certain loneliness. So asking those questions brought me to that theme, and became a launching pad to look at that theme from the perspective of various characters: the loneliness of the brightest guy in the room (the Luthors), of living a life you can’t share with others (Lisa)...it wasn’t the driving point of the story, but as subtext, it’s there.' - JMS

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aeka: Art by Adam Hughes (Default)
[personal profile] aeka
Well, eleven issues in, and I can't say I'm really feeling this book. In fact, I feel like this book is suffering from the same problem as Paul Levitz Worlds' Finest series in terms of Barbara not really getting any interesting or worthwhile villains that match her calibre of skills as a crime-fighter. Like Levitz' baddies, Batgirl's baddies come off as silly and non-threatening despite the fact that some of them are supposed to come from a dark place and are supposed to be dangerous and threatening as a result.

On that note, I'm still not sure what the tone of this book is supposed to be. On the one hand it looks like Simone is pushing for a fun book that's fronted by a badass female lead, but at the same time it looks like she's trying to make some of the characters dark and complex somehow, and it's just not....working. I don't know....it's really feeling like another case of "you can't have your cake and eat it," but that's how this book is coming off at the moment. So far the only baddie I've genuinely enjoyed from this book was Barbara's Talon from the Night of the Owls event since she at least had an interesting backstory (and one that looks like is going to be explored again in future issues judging by the cover solicitation for #13).

I'm really hoping that this book will start to pick up by issue #13. Cause I really, really want to like this book since I like Barbara Gordon as a character. But at the moment I'm only liking her on Birds of Prey (which I should probably start posting scans of again soon). :/

That being said there is at least one character and one upcoming meet-up that look promising.

4 scans behind cut )

Batgirl #8

Apr. 11th, 2012 07:00 pm
aeka: Art by Adam Hughes (Default)
[personal profile] aeka
After a nice chat with Dinah in the last issue, Barbara decides to confront one of her major issues....and it's not the *story that shall not be named*

4 pages of spoilers behind cut )
benicio127: (Lois love)
[personal profile] benicio127
There were a few things about this that just didn't sit right with me. However, I'm incredibly happy with the art in this: far less T&A Benes style in a book featuring four women and uh, that Hawk guy.



Roughly two pages worth of scans under the cut )

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