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[personal profile] superboyprime


"Gangsta rap, launched most notably with Cypress Hill and N.W.A., exploited the artistic acceptance of militant themes and imagery that made Chuck D.’s political protest acceptable to argue for the artistic merit of sophomoric, homophobic and misogynistic content directed not toward an oppressor class but toward each other. [...] Calling anybody, even [BET founder Robert Johnson], Hitler would be unfair. Hitler, after all, didn’t teach Germans to hate themselves. Mr. Johnson is certainly no Hitler, though he might have been the guy passing out the Nazi arm bands. Black America has been wearing its own version of Nazi arm bands—Ebonics, the idiotic sagging pants, a distinct cultural lexicon regardless of what region of the nation you visit—for more than a generation, now." - Christopher Priest

From U.S.Agent: American Zealout #1-5...

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[personal profile] cyberghostface


"John Walker is not a super hero. No matter how hard he wants to be a super hero, he’s really not. And that’s the whole point of John Walker. The whole point of a guy like John Walker is to point out just how much strength of character and nobility and self-sacrifice it takes to actually be called a hero in the Marvel Universe." -- Christopher Priest

Scans under the cut... )
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[personal profile] cyberghostface
 

"The challenge to writing a character like Captain America, or, for that matter, Superman, is building tension and conflict within an ostensibly perfect individual. Most human beings, even the best among us, are simply not built that way. Even the best of us try and fail. But there is nobility in our trying, so our best leaders will always inspire us to try, regardless of the circumstances.

"The kind of hope Cap or Supes offers us is palatable but more easily consumed by younger people who have experienced less of the disappointment and rejection most of us encounter as we grow up. John Walker offers hope to the real world of our adult struggle." -- Christopher Priest

Scans under the cut... )
cyberghostface: (Doc Ock)
[personal profile] cyberghostface


"Once upon a time we'd have elections. Somebody would win, the rest of us would take a seat for four years, and that was that. Roads still got built, schools still got funded, government functioned. It is a darkly sinister time now where conflicting views of patriotism are defended by offensive language and the threat of violence.

We are all American zealots. There are many competing visions of America, with each constituency working overtime to impose its vision on the whole. But, instead of our ideas competing in the forum of American opinion, we are openly hostile to one another. This misses the point of the value proposition of America: a quilt of voices, faces, cultures, values, and ideas.

Our American Zealot storyline is pretty obvious: there are three main characters representing three distinctly different Americas, with each character fighting to impose their view on the whole. The challenge to a writer is to present these views fairly and, ideally, without bias if that's possible. The idea is to promote discussion and learn how to agree to disagree." -- Christopher Priest

Scans under the cut... )
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[personal profile] cyberghostface


"John Walker is not Archie Bunker, but he ain’t Steve Rogers, either. Much like myself, John Walker fails the Steve Rogers test, but it ain’t for any lack of trying. He is Everyman, hefting Captain America’s shield while demonstrably lacking Cap’s strength of character. He means well, but at the end of the day he’s just Rocky Balboa working the suit." -- Christopher Priest

Warning for suicide

Scans under the cut... )
cyberghostface: (Two-Face)
[personal profile] cyberghostface


“I wonder what the difference is between, say, John Walker and Dave Chappelle.

People pay a lot of money to go sit in a theater and watch Dave smoke, which no characters can do in comics anymore because somebody somewhere actually thinks comic books are read exclusively by children. There's a lot of decisions being made for the industry by people who are not in the industry but who have influence on or control over the industry.

It's a lot like my Aunt Ruby lecturing me on how to replace the ABS module on my car.

Dave Chappelle is going to be Dave Chappelle. He is going to offend somebody. But, ironically, the people in his audience seem to accept that; that's the social contract when you go to see Dave. If you're thin-skinned, if you take a comedian seriously, you really should find other entertainment for the evening.” — Christopher Priest

Warning for suicide

Scans under the cut... )
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[personal profile] cyberghostface


“The basic key to John Walker is the fact he is not Steve Rogers. U.S. Agent dresses like Captain America but is, in fact, not Captain America. The whole point of the character is to help better define who Captain America is, or more pointedly, who or what Cap is not.

Walker is impatient, fast-tempered, judgmental, cynical; a deeply flawed mirror of the impeccable warrior Cap represents. Within those flaws lies his humanity, a kind of Bruce Willis willingness to inject himself into perilous situations simply because it is the right thing to do.

John Walker is a guy who tries hard. He's Joe Lunchbucket, All-American. He's worth rooting for.” - Christopher Priest

Scans under the cut... )
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[personal profile] cyberghostface


"I wanted characters who would be coming into this already having experiences of forbidden or unconventional love, including queer identity. They don’t form Department X of their own volition, as everything and everyone’s roles in 'Age of X-Man' were assigned to them by Nate Grey in curating his utopia, so while canonically it’s his fault for putting a gay French-Canadian anarchist on his horny cop gestapo; that’s conflict of interest is what's by design. I picked these team members because I saw them as the ones who we could really, really have a lot of fun with once they start f&@$ing s#%t up." -- Leah Williams

Scans under the cut... )
cyberghostface: (Right One 2)
[personal profile] cyberghostface
 

"i hope the way i write Dukes comes for your throat. i hope you get so attached to this alt reality Freddy that you custom order a floofy uwu Blob body pillow to cry into at night." -- Leah Williams

Scans under the cut... )
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[personal profile] cyberghostface


"This miniseries is also gonna hurt. It’s a difficult story to tell by nature, because of the role Department X was assigned in this utopian society without their choosing. They didn’t sign up for this, and X-Tremists is about the consequences of trying to force heroes into a reality they would never consciously comply with. X-Tremists is not about reveling in erasure, it’s about doing justice to how violently relieved Bobby’s gonna feel when he finally wakes up in this alternate reality and the kind of ice-cold anger he’d have once he sees that not only did Nate Grey put him on the secret police, but imagined an armband on him." -- Leah Williams

Scans under the cut... )
cyberghostface: (Doom)
[personal profile] cyberghostface


"me: 'wait...no love? like, NONE? none love left beef? what about moms? what about queer identity? do they still know how to make babies in AoX? wh--'

[days pass]

me: 'all these COPS are HORNY and someone's PREGNANT and there's an ISSUE devoted just to GAY RAGE'" -- Leah Williams

Scans under the cut... )
informationgeek: (Octavia)
[personal profile] informationgeek
batmanthedarkknight234cover

Writer: Ann Nocenti
Artist: Georges Jeanty
Inker: Dexter Vines
Colorist: Michelle Stewart


So... since we've been discussing the Joker's Daughter, why not look at her first real issue? She debuted one issue before this, but this is her official debut.


Warning for violence and self-harm.

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[personal profile] starwolf_oakley
Four pages of SERENITY: LEAVES ON THE WIND #1 have been posted. Here are three more, the first three pages of the series.

Questioning Miranda )
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[personal profile] mrosa


DC 1,000,000 my favourite crossover ever! For me it's one of the rare - perhaps the only - where all tie-ins were worth reading, because they were plotted by Morrison, excepting for Garth Ennis' Hitman. Sometimes I think of it as DC's most creative months; each issue was just crammed with awesome, funny, twisted concepts, redesigns and revamps. If it hadn't been for this crosoover, I probably wouldn't even be much of a DC fan. It was this love letter to its rich history that showed me just what an amazing universe the DCU is.

One of my favourite tie-ins was Superman: Man of Tomorrow 1,000,000, which tells the origin of Solaris and the history of the Superman dynasty:

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