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[personal profile] superboyprime


"Even though superheroes dominate the American market, there’s so much interesting stuff going on in other genres and indie books that I don’t think it’s fair for me to identify a 'trend.' That said, I think that the big companies certainly know who they’re marketing their books to, and a large segment of that audience tends to like their heroes a little edgier. I certainly fall into that land. So if there is a trend towards anti-heroes or darker material, it’s almost explicitly market-driven, not to mention shortsighted. We’re not going to get new readers (a/k/a kids) if every book is about classic superheroes being dissected and darkened. By no means do I think every superhero book should be vanilla ice cream, but there’s a reason that we all fell in love with comics when we were young. They addressed plenty of social issues and had a lot to say about the world at large, but as a whole they weren’t bleak. It’s that lack of hope that I find troublesome, and the idea that superheroes and the ideals they represent are 'corny.' Fiction can serve many functions, and doling out hope and inspiration 22 pages at a time isn’t a bad thing at all. But again, there are plenty of books to check out that embrace an optimistic take on the world, super or otherwise." - Joe Kelly

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laughing_tree: (Seaworth)
[personal profile] laughing_tree


I'm such a simple writer. I only write sort of little simple themes, and there are two driving themes of the whole thing and those are Catwoman and Batman and their love, and Bane and Batman and their hate. It's contrasting those two just simple concepts. That's the driving engine of all 100 issues, from issue 1 to issue 103, which is where I'm gonna end the whole series. -- Tom King

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[personal profile] informationgeek
wearerobin05cover

"I think the temptation, when you do team books, is to overload people with information about them, and it passes for characterization, as opposed to kind of letting people learn about the characters through story. And that's what I'm hoping to accomplish here. As the story I'm telling moves forward, it gives me opportunities that really do reveal little bits and pieces about these kids' lives." - Lee Bermejo

Writer: Lee Bermejo
Artist: Jorge Corona
Breakdowns: Rob Haynes
Colorist: Trish Mulvihill

Warning for violence.

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[personal profile] informationgeek
wearerobin4cover

"Wearing the 'R' is part of a legacy. A major theme of the book, and I have been saying this from the very beginning, [is that] it's one thing to call yourself a 'Robin'; it's another thing to be a 'Robin.' It's fun to watch bad guys hit the floor, but it really means something much bigger than that. It's the idea that you are part of something bigger than yourself. And not only that but you also have to respect the symbol. In Gotham, wearing the 'R' is part of the city's mythology. The city has seen different Robins over the years and they have also seen different Batmans. The concept is big enough in the public's eye where I thought there should be a moment where one of the "old guard," so to speak, drives that point home to these kids. It is certainly something that we are going to be exploring in different ways in future issues, as well." - Lee Bermejo

Writer: Lee Bermejo
Artist: James Harvey

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informationgeek: (djpon3)
[personal profile] informationgeek
wearerobin3cover

"Yeah, there need to be stakes. That's been done subtly in other ways in the book. I'm a stickler on showing damage. If kids get hit in the head — I think if any character gets hit in the head, you should see the damage that causes. I think it's important in general to not have violent actions in comics not be without the consequences that come with that action.

So I really want to show that doing this vigilante thing has consequences. And sometimes the price to be paid is pretty high.
" - Lee Bermejo

Writer: Lee Bermejo
Artists: Jorge Corona & Khary Randolph
Breakdowns: Rob Haynes
Colorists: Trish Mulvihill & Emilio Lopez

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[personal profile] informationgeek
wearerobin2cover

"They have the best intentions — to keep their city safe. But I think Gotham City is a particular place, known for being one of the most dangerous cities. So you have these teenagers who get to the point where they've had enough. They want to be part of something bigger, to be part of a legacy, to be part of something that does good for the place they live in.

But for a 14- to 17-year-old kid, the concept of what they can do to be a hero, and what defines heroism is something that's interesting to me, looking through the eyes of this book.

We have the chance to tackle a lot of different approaches. It's not just about putting on the domino mask and jumping around. It's about, what can you do to make your city a better place?
" - Lee Bermejo

Writer: Lee Bermejo
Artists: Jorge Corona & Khary Randolph
Breakdowns: Rob Haynes
Colorists: Trish Mulvihill & Emilio Lopez

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