iamrman: (Sindr)
[personal profile] iamrman

Trapped at the bottom of the ocean with Cable, Kane has some questions he wants answering.

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superboyprime: (Default)
[personal profile] superboyprime


"I find myself getting increasingly more protective of this fictional character as I keep writing him. Here's hoping that everybody keeps buying it because if they don't I know the next person is going to kill him. No, I'm just kidding." - Jeremy Adams

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thanekos: Seiga Kaku from Touhou 13, shadowed. (Default)
[personal profile] thanekos
The focus was Captain Boomerang, who'd been the Squad's mission in #4 and part of the impetus of how #5'd played out.

Boomerang, who'd escaped with the Squad (Deadshot, Harley Quinn, Zebra-Man, and the conscripted Revolutionaries) after that act, was now in custody.

He had an audience of two for his self-focused story about the Squad's actions after learning that they were being manipulated by Ted Kord of Kord Industries.

As he put it, he was leading the Squad to safety.

The Squad, naturally, was following. )
[personal profile] history79



SPOTLIGHT: How fond are you of the old Silver Age of Marvel Comics? Is the Galactus story from Fantastic Four #48-50 a particularly revered storyline for you?

WARREN ELLIS: Like most British writers, I didn't grow up with this stuff, and it really holds no special glow for me. Of our generation, people like Mark Millar, who adore this old stuff, are more the exception than the majority. Me and Garth Ennis grew up with the British stuff, the SF weekly 2000AD and the war comics.


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starwolf_oakley: Charlie Crews vs. Faucet (Default)
[personal profile] starwolf_oakley
UNCANNY X-MEN #299 is an X-Men issue that, surprisingly, doesn't have a lot of action. It is mostly set up that Magneto is still alive and Professor Xavier debating Senator Robert Kelly on Nightline (but with a guest-host instead of Ted Koppell). But I consider two pages from the issue very inspiring.

Your own cause? )
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[personal profile] superboyprime


'One of the goals with "Secret Wars" was to bring elements of the Battleworld locales over to the main Marvel U once the event was complete -- not just for my series, but for all of them. I thought the Quiet Room would be a great addition to the MU, because I couldn't think of anything else like it -- essentially a crossroads for all types of people. [It's] a neutral ground where heroes, villains and regular people could all hang out and, if necessary, work through their disputes.' - Charles Soule

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